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Rowing Lake Como ( Bellagio)

c. 1890-1900
Pencil on paper
10 x 5.8 in

notes
Notes: My gratitude to Stephanie for letting me know about this painting on the net. As of 2/24/2002 it was offered for sale at Mark Borghi Fine Art Inc.
GAigrkio
Rt. Hon. Harcourt Johnstone Portrait of a Young Man

1914
Charcoal on paper
Sheet: 61 x 48 cm (24 x 18 7/8 in.)

Museum of Fine Arts

Boston, MA

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Ruined Cathedral, Arras

1918
Oil on canvas
22 x 28 in.

Private Collection

Unknown, USA

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Ruined CellarArras

1918
Watercolor and graphite on wove paper, mounted to cardboard
36.5 x 54 cm (14 3/8 x 21 1/4 in.)

Metropolitan Museum of Art

New York, NY

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Rushing Brook

c. 1904-1911
Watercolor, gouache, and graphite on off-white wove paper
46.8 x 31.4 cm (18 7/16 x 12 3/8 in.)

Metropolitan Museum of Art

New York, NY

 GAigrkio
Rushing Water

c. 1901-1908
Watercolor, gouache, and graphite on white wove paper
35.6 x 25.3 cm (14 x 9 15/16 in.)

Metropolitan Museum of Art

New York, NY

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Ruth Sears Bacon

1887
Oil on canvas
48 1/3 x 36 3/4 in.

notes
From: a great grandson  Date: Mon, 25 Feb 2002 "Ruth Sears Bacon was my great-grandmother. By the time I knew "Gagy" she was about 95 years old (she died when she was 102). Family lore has an interesting story around that picture. Apparently she was a willful little girl, and disappeared somewhere off to play when she was supposed to be...
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Saddle Horse, Palestine

1905
Watercolor
14 x 10 in.

Private Collection

Unknown, USA

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Sally Fairchild (profile sketch), unfinished

1890
Oil on canvas
76.8 x 63.5 cm (30 1/4 x 25 in.)

notes
Note: Sold Sotheby's; 5/25/1988; Lot 162; $60,500 Date by Charles Merrill Mount list. The SIRIS has it dated 1887. References:     Ormond, Richard and Elaine Kilmurray, "John Singer Sargent: complete paintings; volume 1, The early portraits," New Haven, CT: Yale University Press, 1998, no. 203. McKibbin, David, "Sargent's Boston,"...
GAigrkio
Sally Fairchild with Blue Veil

1890
Oil
76.2 x 64.8 cm (30 x 25.5 in.)

notes
This painting is one of many which sargent painting of Sally Fairchild. this one is so wonderfully mysterious with the veil over her face. John was on very good terms with her parents and felt no restraints about being creative. He had known the family at least since 1887 when he did his first flurry of American paintings in the United States....
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