PreviewDescription
ArtistNotes
The Advance-guard, Or The Military Sacrifice (The Ambush)

by Frederic Remington

1890
oil on canvas
87.3 x 123.1 cm (34 3/8 x 48 1/2 in.)

Art Institute of Chicago

Chicago, IL

Remington, Fredericnotes
Ownership History: Frederic Remington, 1890; E.H. Wales, 1893. George F. Harding Museum, Chicago, by 1982; given to the Art Institute, 1982
The Child's Bath

by Mary Cassatt

1893
oil on canvas
100.3 x 66.1 cm (39 1/2 x 26 in. )

Art Institute of Chicago

Chicago, IL

Cassatt, Mary 
The Cliff Dwellers

by George Wesley Bellows

1913
Watercolor and pen and brush and black ink, with black crayon, charcoal, and touches of scraping on ivory woven paper
542 x 688 mm

Art Institute of Chicago

Chicago, IL

Bellows, George Wesley 
The Coast of Labrador

by William Bradford

1866
oil on canvas
72 x 113.3 cm (28 3/8 x 44 5/8 in.)

Art Institute of Chicago

Chicago, IL

Bradford, Williamnotes
Ownership History: Henry H. Brooks, Boston, by 1981; Alfred J. Walker, Boston, 1981; Vose Galleries, Boston, 1981; Alfred T. Morris, Providence, Rhode Island, 1981; Adams Davidson Galleries, Washington D.C., 1983; Marshall Field, Chicago, 1983; The Art Institute of Chicago, 1983.
The Commode

by Walter Gay

1905/12
oil on canvas
66 x 54.6 cm (26 x 21 1/2 in.)

Art Institute of Chicago

Chicago, IL

Gay, Walter 
The Essex Canal

by Albert Pinkham Ryder

c. 1896
oil on canvas mounted on board
41.3 x 52.1 cm (16 1/4 x 20 1/2 in.)

Art Institute of Chicago

Chicago, IL

Ryder, Albert Pinkham 
The Fountain, Villa Torlonia, Frascati, Italy

by John Singer Sargent

1907
Oil on canvas
72.4 x 55.9 cm (28 1/2 x 22 in.)

Art Institute of Chicago

Chicago, IL

Sargent, John Singernotes
Jane de Glehn (1873-1961) painting with her husband Wilfrid (1870-1951) at the Fountain at Villa Torlonia in Frascati, Italy. Wilfrid de Glehn Fountain Frascati  1907 Married in 1904, both were often traveling companions of John's between 1905 and 1914 when they all would visit such places as the south of France,...
The Grey Bodice

by Julian Alden Weir

1898
oil on canvas
76.8 x 64.1 cm (30 1/4 x 25 1/4 in.)

Art Institute of Chicago

Chicago, IL

Weir, Julian Aldennotes
Exhibition History: Milwaukee Art Institute, Exhibition of Forty Paintings presented to the Art Institute of Chicago by the Friends of American Art, March 1-29, 1925, cat. 39. Indiana, South Bend Art Association, "American Painting in the Manner of the Late Nineteenth and Early Twentieth Centuries," February 10-March 31, 1948.
The Irish Question

by De Scott Evans

c. 1880s
oil on canvas
30.5 x 25.4 cm (12 x 10 in.)

Art Institute of Chicago

Chicago, IL

Evans, De Scott 
The Letter

by Mary Cassatt

1890/1891
Color drypoint and aquatint, from three plates, on off-white laid paper
345 x 211 mm (image/plate); 437 x 297 mm (sheet)

Art Institute of Chicago

Chicago, IL

Cassatt, Marynotes
Mary Cassatt began a series of color prints in 1890 that exemplify her indebtedness to Japanese color woodblock prints and her thematic focus on figures in interiors. In The Letter Cassatt, used the patterns of the woman's dress and wallpaper as well as vibrant printing inks to manipulate space and formal elements inspired by Japanese art. The...
You are redirected to this page because your browser does not accept cookies and/or does not support Javascript. Please check your browser settings and try again.