Preview | Description | Artist | Notes |
---|---|---|---|
The Advance-guard, Or The Military Sacrifice (The Ambush) by Frederic Remington 1890 Art Institute of Chicago Chicago, IL | Remington, Frederic | Ownership History: Frederic Remington, 1890; E.H. Wales, 1893. George F. Harding Museum, Chicago, by 1982; given to the Art Institute, 1982 | |
The Child's Bath by Mary Cassatt 1893 Art Institute of Chicago Chicago, IL | Cassatt, Mary | ||
The Cliff Dwellers by George Wesley Bellows 1913 Art Institute of Chicago Chicago, IL | Bellows, George Wesley | ||
The Coast of Labrador by William Bradford 1866 Art Institute of Chicago Chicago, IL | Bradford, William | Ownership History: Henry H. Brooks, Boston, by 1981; Alfred J. Walker, Boston, 1981; Vose Galleries, Boston, 1981; Alfred T. Morris, Providence, Rhode Island, 1981; Adams Davidson Galleries, Washington D.C., 1983; Marshall Field, Chicago, 1983; The Art Institute of Chicago, 1983. | |
The Commode by Walter Gay 1905/12 Art Institute of Chicago Chicago, IL | Gay, Walter | ||
The Essex Canal by Albert Pinkham Ryder c. 1896 Art Institute of Chicago Chicago, IL | Ryder, Albert Pinkham | ||
The Fountain, Villa Torlonia, Frascati, Italy by John Singer Sargent 1907 Art Institute of Chicago Chicago, IL | Sargent, John Singer |
Jane de
Glehn (1873-1961) painting with her husband Wilfrid (1870-1951) at the Fountain
at Villa Torlonia in Frascati, Italy.
Wilfrid de Glehn
Fountain
Frascati
1907
Married in
1904, both were often traveling companions of John's between 1905 and 1914 when
they all would visit such places as the south of France,... | |
The Grey Bodice by Julian Alden Weir 1898 Art Institute of Chicago Chicago, IL | Weir, Julian Alden | Exhibition History: Milwaukee Art Institute, Exhibition of Forty Paintings presented to the Art Institute of Chicago by the Friends of American Art, March 1-29, 1925, cat. 39. Indiana, South Bend Art Association, "American Painting in the Manner of the Late Nineteenth and Early Twentieth Centuries," February 10-March 31, 1948. | |
The Irish Question by De Scott Evans c. 1880s Art Institute of Chicago Chicago, IL | Evans, De Scott | ||
The Letter by Mary Cassatt 1890/1891 Art Institute of Chicago Chicago, IL | Cassatt, Mary | Mary Cassatt began a series of color prints in 1890 that exemplify her indebtedness to Japanese color woodblock prints and her thematic focus on figures in interiors. In The Letter Cassatt, used the patterns of the woman's dress and wallpaper as well as vibrant printing inks to manipulate space and formal elements inspired by Japanese art. The... |
- Art Institute of Chicago