| Preview | Description
  | Artist | Notes |
|---|---|---|---|
 | Thomas Abthorpe Cooper by Chester Harding c. 1822 Art Institute of Chicago Chicago, IL | Harding, Chester | |
 | Title Page , Vignette, And Plate One Of The First Number Of Picturesque Views Of American Scenery by John Hill 1819/21 Art Institute of Chicago Chicago, IL | Hill, John | |
 | Toning The Bell by Walter Shirlaw 1874 Art Institute of Chicago Chicago, IL | Shirlaw, Walter | |
 | Twentieth Century Ruin by Alexander Brook 1932 Art Institute of Chicago Chicago, IL | Brook, Alexander | |
 | Two Women In A Doorway by Lawrence Carmichael Earle 1882 Art Institute of Chicago Chicago, IL | Earle, Lawrence Carmichael | |
 | Vase of Flowers by Julian Alden Weir Watercolor on cream board Art Institute of Chicago Chicago, IL | Weir, Julian Alden | |
 | Vaudeville Singer by Charles Demuth 1918 Art Institute of Chicago Chicago, IL | Demuth, Charles | |
 | Venetian Glass Workers by John Singer Sargent 1880-82 Art Institute of Chicago Chicago, IL | Sargent, John Singer | 
In many of
Sargent’s Venetian Studies of 1880 and 1882 he shows Venetian women
stringing glass beads for the tourist trade. In a footnote of Linda Ayres
essay, she explains that what they are holding are long colored glass tubes.
These glass
tubes (also called cane) were probably made in Murano, then cut to bead size
and passed on to women... |
 | View Above The Falls Of Schuylkill, Plate Three Of The First Number Of Picturesque Views Of American Scenery by John Hill 1819/21 Art Institute of Chicago Chicago, IL | Hill, John | |
 | View By Moonlight, Near Fayetteville, Plate Three Of The Second Number Of Picturesque Views Of American Scenery by John Hill 1819/21 Art Institute of Chicago Chicago, IL | Hill, John |
- Art Institute of Chicago
