| Preview | Description | Artist
  | Notes |
|---|---|---|---|
 | Call The Doctor by Frederic Remington 1889 Art Institute of Chicago Chicago, IL | Remington, Frederic | |
 | Ceremony Of The Fastest Horse by Frederic Remington c. 1900 Art Institute of Chicago Chicago, IL | Remington, Frederic | |
 | Fire-eater Raised His Arms by Frederic Remington c. 1900 Art Institute of Chicago Chicago, IL | Remington, Frederic | |
 | First And Best Camp Of The Trip by Frederic Remington 1895 Art Institute of Chicago Chicago, IL | Remington, Frederic | |
 | Guns Must Be Delivered by Frederic Remington 1902 Art Institute of Chicago Chicago, IL | Remington, Frederic | |
 | He Was The Law (Billy The Kid) by Frederic Remington 1901 Art Institute of Chicago Chicago, IL | Remington, Frederic | |
 | Historians Of The Tribe by Frederic Remington 1890/99 Art Institute of Chicago Chicago, IL | Remington, Frederic | |
 | The Advance-guard, Or The Military Sacrifice (The Ambush) by Frederic Remington 1890 Art Institute of Chicago Chicago, IL | Remington, Frederic |  Ownership History: Frederic Remington, 1890; E.H. Wales, 1893. George F. Harding Museum, Chicago, by 1982; given to the Art Institute, 1982 |
 | The Mexican Major by Frederic Remington 1889 Art Institute of Chicago Chicago, IL | Remington, Frederic | Ownership History: W.R. Hearst Collection. George F. Harding Museum, Chicago, by 1982; given to the Art Institute, 1982. |
 | The Valley of Arconville by Theodore Robinson c. 1887 Art Institute of Chicago Chicago, IL | Robinson, Theodore | Ownership History: Arthur A. Carey, Waltham, Mass., by 1889. M. Knoedler and Co., New York, by 1908; Hillyer Art Gallery, Smith College, Northampton, Mass., 1908; M. Knoedler and Co., New York, 1931; sold to the Art Institute, 1941. |
- Art Institute of Chicago
