PreviewDescription
ArtistNotes
Abraham Lincoln Writing the Emancipation Proclamation

by David Gilmour Blythe

1863
oil on canvas
H: 21 3/4 x W: 27 inches (H: 55 x W: 69 cm)

Carnegie Institute, Museum of Art

Pittsburgh, PA

Blythe, David Gilmour 
Abstract

by Patrick Henry Bruce

c. 1928
oil and graphite on canvas
H: 35 1/16 x W: 45 3/4 inches (H: 89 x W: 116 cm)

Carnegie Institute, Museum of Art

Pittsburgh, PA

Bruce, Patrick Henry 
Beneath the Sea

by Frederick Stuart Church

c. 1900
charcoal on paper mounted on board
H: 8 3/4 x W: 19 3/4 inches (H: 22 x W: 50 cm)

Carnegie Institute, Museum of Art

Pittsburgh, PA

Church, Frederick Stuart 
Caroline Luise Kaercher with Cat

by Robert Street

1830
oil on canvas
H: 30 x W: 25 inches (H: 76 x W: 64 cm)

Carnegie Institute, Museum of Art

Pittsburgh, PA

Street, Robert 
Crossan Country Home On The Allegheny River (Near Verona)

by William Coventry Wall

1865
oil on canvas
H: 28 1/4 x W: 50 1/8 inches (H: 72 x W: 127 cm)

Carnegie Institute, Museum of Art

Pittsburgh, PA

Wall, William Coventry 
Fall Landscape

by William Louis Sonntag

c. 1860-1870
Oil on canvas
H: 16 1/2 x W: 26 inches (H: 42 x W: 66 cm)

Carnegie Institute, Museum of Art

Pittsburgh, PA

Sonntag, William Louis 
Farm House

by Albert Fitch Bellows

c. 1870
graphite and white gouache on buff paper
H: 7 x W: 9 inches (H: 18 x W: 23 cm)

Carnegie Institute, Museum of Art

Pittsburgh, PA

Bellows, Albert Fitch 
Girl in Lavender, Seated at a Desk

by Theodore Butler

1908
oil on canvas
H: 29 x W: 23 1/4 inches (H: 74 x W: 59 cm)

Carnegie Institute, Museum of Art

Pittsburgh, PA

Butler, Theodore 
Grandma's Visitors

by De Scott Evans

1883
oil on canvas
H: 24 x W: 36 inches (H: 61 x W: 91 cm)

Carnegie Institute, Museum of Art

Pittsburgh, PA

Evans, De Scott 
In Town It's Different

by William Glackens

1898
graphite, charcoal, ink wash and gouache on wallpaper
H: 18 1/8 x W: 11 15/16 inches (H: 46 x W: 30 cm)

Carnegie Institute, Museum of Art

Pittsburgh, PA

Glackens, Williamnotes
It is noteworthy, that along with his constant survey of the life around him, Glackens also possessed a profound understanding of the conventions of representation. In Town It's Different, very much resembles English and Continental styles of illustration in its refinement and finish as well as in specific details.
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