Preview | Description | Artist | Notes | Content |
---|---|---|---|---|
![]() | Making Pottery 1912 The Terra Foundation for American Art Chicago, IL | Couse, Eanger Irving | GA | |
![]() | Indians On A Bluff Surveying General Miles' Troops oil on canvas Buffalo Bill Historical Center, Whitney Gallery of Western Art Cody, WY | Russell, Charles M. | GA | |
![]() | A Vision of the Past 1913 Butler Institute of American Art Youngstown, OH | Couse, Eanger Irving | ![]() In "A Vision of the Past", Couse contrasted the past and present, suggesting that the future held little promise for tribal culture. In doing so, he contributed to a tradition of imagery first popular in the 1830s, that of the vanishing race of "doomed" Native Americans. | GA |
![]() | Indian Boy at Fort Snelling 1862 Minneapolis Institute of Arts Minneapolis, MN | Wood, Thomas Waterman | GA | |
![]() | The War Party 1901 Anonymous Collection (2) Unknown | Johnson, Frank Tenney | GA | |
![]() | Camp of the Paleface 1917 Anonymous Collection (2) Unknown | Johnson, Frank Tenney | GA | |
![]() | Indians Experiencing A Lunar Eclipse circa 1848-1850 Anonymous Collection (2) Unknown | Rimmer, William | GA | |
The Peace Pipe c. 1902 Metropolitan Museum of Art New York, NY | Couse, Eanger Irving | GA | ||
![]() | The Last Shot 1902 Anonymous Collection (2) Unknown | Johnson, Frank Tenney | GA | |
![]() | Chief Shoppenegons 1910 Detroit Institute of Arts Detroit, MI | Couse, Eanger Irving | GA |
- Native Americans In 19th-Century Paintings