Preview | Description | Artist | Notes | Content |
---|---|---|---|---|
![]() | Elk-Foot of the Taos Tribe 1909 Smithsonian American Art Museum Washington, D.C. | Couse, Eanger Irving | GA | |
![]() | An Osage Indian Lancing a Buffalo 1846-1848 Smithsonian American Art Museum Washington, D.C. | Catlin, George | GA | |
![]() | The Triumph 1908 Anonymous Collection (2) Unknown | Schreyvogel, Charles | GA | |
![]() | Indians Hunting Buffalo 1894 Sid Richardson Museum Fort Worth, TX | Russell, Charles M. | GA | |
![]() | A Choctaw Woman 1834 Smithsonian American Art Museum Washington, D.C. | Catlin, George | GA | |
![]() | A Seminole Woman 1838 Smithsonian American Art Museum Washington, D.C. | Catlin, George | ![]() George Catlin arrived at Fort Moultrie, in Charleston, South Carolina, on January 17, 1838. He painted more than ten portraits of Seminole and Yuchi Indians, including this Seminole woman, in the short time he spent at the fort. | GA |
![]() | Ah-no-je-nahge, He Who Stands on Both Sides, a Distinguished Ball Player 1835 Smithsonian American Art Museum Washington, D.C. | Catlin, George | GA | |
![]() | Aih-no-wa, The Fire, a Fox Medicine Man 1835 Smithsonian American Art Museum Washington, D.C. | Catlin, George | GA | |
![]() | Archery of the Mandan 1835-1837 Smithsonian American Art Museum Washington, D.C. | Catlin, George | GA | |
![]() | Assiniboin Woman and Child 1832 Smithsonian American Art Museum Washington, D.C. | Catlin, George | GA |
- Native Americans In 19th-Century Paintings