| Preview | Description | Artist | Notes
  | Content |
|---|---|---|---|---|
 | A Choctaw Woman 1834 Smithsonian American Art Museum Washington, D.C. | Catlin, George | GA | |
 | A Seminole Woman 1838 Smithsonian American Art Museum Washington, D.C. | Catlin, George |  George Catlin arrived at Fort Moultrie, in Charleston, South Carolina, on January 17, 1838. He painted more than ten portraits of Seminole and Yuchi Indians, including this Seminole woman, in the short time he spent at the fort. | GA |
 | Ah-no-je-nahge, He Who Stands on Both Sides, a Distinguished Ball Player 1835 Smithsonian American Art Museum Washington, D.C. | Catlin, George | GA | |
 | Aih-no-wa, The Fire, a Fox Medicine Man 1835 Smithsonian American Art Museum Washington, D.C. | Catlin, George | GA | |
 | An Osage Indian Lancing a Buffalo 1846-1848 Smithsonian American Art Museum Washington, D.C. | Catlin, George | GA | |
 | Archery of the Mandan 1835-1837 Smithsonian American Art Museum Washington, D.C. | Catlin, George | GA | |
 | Assiniboin Woman and Child 1832 Smithsonian American Art Museum Washington, D.C. | Catlin, George | GA | |
 | Assiniboine Indians Pursuing Buffalo on Snowshoes 1846-1848 Smithsonian American Art Museum Washington, D.C. | Catlin, George | GA | |
 | Back View of Mandan Village, Showing the Cemetery 1832 Smithsonian American Art Museum Washington, D.C. | Catlin, George | GA | |
 | A Vision of the Past 1913 Butler Institute of American Art Youngstown, OH | Couse, Eanger Irving | In "A Vision of the Past", Couse contrasted the past and present, suggesting that the future held little promise for tribal culture. In doing so, he contributed to a tradition of imagery first popular in the 1830s, that of the vanishing race of "doomed" Native Americans. | GA |
- Native Americans In 19th-Century Paintings
