Preview | Description | Notes | Content | Updated by |
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Study for Seated Figures for "El Jaleo" c. 1882 |
Bibliography:
Evan
Charteris, John Sargent (New York, NY, 1927), p. 282
Charles
Merrill Mount, John Singer Sargent, a Biography [1st ed.] (New York, NY, 1955),
no. K8223
Richard
Ormond, "Sargent's El Jaleo", Fenway Court, p. 15, repr. p. 16 as
fig. 14
Richard
Ormond, John Singer Sargent: Paintings, Drawings, Watercolors (New York, NY... | GA | igrkio | |
Study for El Jaleo (223) c. 1879-82 Isabella Stewart Gardner Museum Boston, MA | GA | igrkio | ||
Study for El Jaleo (222) c. 1879-82 Isabella Stewart Gardner Museum Boston, MA | GA | igrkio | ||
Study for El Jaleo (2) c. 1879-82 | GA | igrkio | ||
Study for El Jaleo (10253) c. 1879-82 Isabella Stewart Gardner Museum Boston, MA | GA | igrkio | ||
Study for El Jaleo (10252) c. 1879-82 Isabella Stewart Gardner Museum Boston, MA | GA | igrkio | ||
Study for El Jaleo c. 1879-82 Isabella Stewart Gardner Museum Boston, MA | GA | igrkio | ||
Study for a Venetian Scene 1880/1882 Private Collection Unknown, USA | GA | igrkio | ||
Street in Venice 1882 National Gallery of Art Washington, D.C. |
Street in Venice
Closeup
September
7, 1999
Natasha,
My daughter
has the Sargent print: Street in Venice. . . We both are generally people who
see the glass half full rather than
half empty and I viewed the young girl as a nice young girl returning home
after a late night party and dance. Although my daughter thought she is... | GA | igrkio | |
Sortie de l’eglise, de l’eglise, Campo San Canciano, Venice 1882 National Gallery of Art Washington, D.C. |
From: The National Gallery of Art
. . . "Ignoring the traditional
tourist spots, [Sargent] explored the city’s
vernacular architecture and the daily life of its inhabitants. In Sortie de l’église, Campo San Canciano,
Venice (Leaving the Church), he focuses on the black-shawled
women crossing the square in the early morning light, which is... | GA | igrkio |
- John Singer Sargent