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Sortie de l’eglise, de l’eglise, Campo San Canciano, Venice 1882 National Gallery of Art Washington, D.C. |
From: The National Gallery of Art
. . . "Ignoring the traditional
tourist spots, [Sargent] explored the city’s
vernacular architecture and the daily life of its inhabitants. In Sortie de l’église, Campo San Canciano,
Venice (Leaving the Church), he focuses on the black-shawled
women crossing the square in the early morning light, which is... | GA | igrkio | |
Daughters of Edward Darley Boit 1882 Museum of Fine Arts Boston, MA |
In 1883
Sargent exhibited at the Salon his portrait which he called Portraits d'Enfants
or Daughters of Edward Darley Boit. Its composition was criticized for its
"four corners and a void" the children not having any relationship to
each other but the painting, overall, was widely praised. (Charteris, P57-58).
The painting is large and exactly... | GA | igrkio | |
Portrait of Mrs. John Joseph Townsend (Catherine Rebecca Bronson) 1881 Private Collection Unknown, USA | GA | igrkio | ||
Young Girl c. 1881-1882 Baltimore Museum of Art Baltimore, MD | GA | igrkio | ||
Mr. & Mrs. John White Field 1882 | GA | igrkio | ||
Madame Errazuriz or The Lady in Black c. 1882-1883 Private Collection Unknown, USA | GA | igrkio | ||
Study for El Jaleo (222) c. 1879-82 Isabella Stewart Gardner Museum Boston, MA | GA | igrkio | ||
Study for El Jaleo (223) c. 1879-82 Isabella Stewart Gardner Museum Boston, MA | GA | igrkio | ||
Study for El Jaleo (10252) c. 1879-82 Isabella Stewart Gardner Museum Boston, MA | GA | igrkio | ||
Study for El Jaleo (10253) c. 1879-82 Isabella Stewart Gardner Museum Boston, MA | GA | igrkio |
- John Singer Sargent