1881-1882

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Mr. & Mrs. John White Field

1882
Oil on canvas
114 x 81.3 cm (44 7/8 x 32 in.)

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Paul Helleu (watercolor)

c. 1882-1885
Watercolor on paper
23.5 x 37.3 cm (9 1/4 x 14 3/8 )

Private Collection

Unknown, USA

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Portrait of Arthur Daintrey

c. 1882
Oil on canvas
58.4 x 47 cm (23 x 18.3 in.)

Private Collection

Unknown, USA

notes
Daintrey was an English [1] art student in Paris who enrolled in Alexandre Cabanel's atelier in 1872 at the age of 29. He was born in 1843 and if the dating of this painting is correct, he would have been 39 when Sargent painted him. Other artists in Cabanel's atelier in the 70's included Henry Bacon, Frank Fowler, Charles Stuart Forbes, Kenyon...
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Portrait of Edouard and Marie-Loise Pailleron

1881
Oil on canvas
152.4 x 175.3 cm (60 x 69 in.)

notes
The Children's parents were painted by John two years previous: Monsieur and Madame Pailleron   1879 Notes: Exhibitions John Singer Sargent, An Exhibition -- Whitney Museum, NY & The Art Institute of Chicago 1986-1987 Great Expectations: John Singer Sargent Painting Children; 2004-2005
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Portrait of Mrs. Daniel Sargent Curtis

1882
Oil on canvas
71.1 x 53.3 cm (28 x 21 in.)

notes
Mrs. Daniel Sargent Curtis c. 1882 She was the mother of Ralph Wormeley Curtis -- cousin to Sargent and fellow American artist in Paris. The painting is very dark, though in person you can see gradations of dark colors for the background. John would later paint her with her husband, son and daughter-in-law in 1898 ...
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Portrait of Mrs. John Joseph Townsend (Catherine Rebecca Bronson)

1881
Oil on canvas
124.46 x 83.82 cm (49 x 33 in)

Private Collection

Unknown, USA

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Pressing the Grapes Florentine Wine Cellar

1882
Oil
83.50 x 49.85 cm

Beaverbrook Art Gallery

Fredericton, NB

notes
When I saw this in Denver (July 2003) I found it to have an overall purple tone in the painting evoking, obviously, the wine process. What you can't see very well in this image are boys turning a large wine press inside the room below and to the right of the window. Exhibitions Sargent and Italy, 2002-2003
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Sketch After "El Jaleo"

c. 1879-82
Sepia ink on paper
22.9 by 35.6 cm (9 by 14 in.)

Private Collection

Unknown, USA

notes
Note: Sale Sold at Sotheby's New York, 30 Nov 2005; Session 1, Sale No. N08134, Lot 41; $228,000 USD (was estimated  125,000—175,000 USD) Sold Sotheby's; 12/1/1994; Lot 10; $76,750 This drawing will be included in a forthcoming volume of the J.S. Sargent catalogue raisonné being compiled by Richard Ormond and Elaine Kilmurray,...
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Sketchbook 1880 Man on Sofa with Painter

c. 1880-1881
Graphite on various colored wove paper bound in a beige canvas sketchbook
27.2 x 36.8 cm

Harvard University Art Museums

Cambridge, MA

notes
The page from the sketchbook is double sided. On the reverse is a sketch of a Dancer for El Jaleo (my title since there doesn't appear to be one). Sketchbook 1880 Dancer for El Jaleo c. 1880-1881  
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Sortie de l’eglise, de l’eglise, Campo San Canciano, Venice

1882
Oil on Canvas
59.9 x 85.1 cm (22 x 33 1/2 in.)

National Gallery of Art

Washington, D.C.

notes
From: The National Gallery of Art  . . . "Ignoring the traditional tourist spots, [Sargent] explored the city’s vernacular architecture and the daily life of its inhabitants. In Sortie de l’église, Campo San Canciano, Venice (Leaving the Church), he focuses on the black-shawled women crossing the square in the early morning light, which is...
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