| Preview | Description | Artist
  | Notes |
|---|---|---|---|
 | My Children by Abbott Handerson Thayer ca. 1896-1910 Brooklyn Museum New York, NY | Thayer, Abbott Handerson |  Although Abbott Handerson Thayer's children (Gladys, Mary, and Gerald, left to right) modeled for this painting, it does not look like a standard portrait, and the children's actual identities may have little to do with Thayer's overall aims for the work. The painting was not intended to convey a particular religious content, but its composition and... |
 | The Sisters by Abbott Handerson Thayer 1884 Brooklyn Museum New York, NY | Thayer, Abbott Handerson | |
 | Head Of A Boy by Abbott Handerson Thayer ca. 1918-1919 Brooklyn Museum New York, NY | Thayer, Abbott Handerson | |
 | William Michael Spartali Stillman by Abbott Handerson Thayer ca. 1905-1915 Brooklyn Museum New York, NY | Thayer, Abbott Handerson | |
 | Jessie Jay Burge by Abbott Handerson Thayer ca. 1880 Brooklyn Museum New York, NY | Thayer, Abbott Handerson | |
 | Chadwick's Dog by Abbott Handerson Thayer 1874 Brooklyn Museum New York, NY | Thayer, Abbott Handerson | |
 | Girl In Fur Hood (Head Of A Woman With Fur-lined Hood) by Abbott Handerson Thayer ca. 1908 Brooklyn Museum New York, NY | Thayer, Abbott Handerson | |
 | Samuel Jones's Son by Jeremiah Theus ca. 1760 Brooklyn Museum New York, NY | Theus, Jeremiah | Swiss by birth, Jeremiah Theus was the most popular portrait painter to elite society in colonial South Carolina by the mid-eighteenth century. Like many artists of this period, he also taught drawing and did ornamental work and portrait painting in order to supplement his income. He prospered in Charleston and also traveled to the residences of his... |
 | Elizabeth Rothmahler by Jeremiah Theus 1757 Brooklyn Museum New York, NY | Theus, Jeremiah | |
 | On the Way between Old and New Cairo, Citadel Mosque of Mohammed Ali, and Tombs of the Mamelukes by Louis Comfort Tiffany 1872 Brooklyn Museum New York, NY | Tiffany, Louis Comfort | Louis Comfort Tiffany's beginnings as a painter have been overshadowed by his stunning achievements as a decorator and stained-glass designer. Yet this early work, which records the scene in terms of colored light filtering through veils of blowing sand, reveals a sensitivity to luminous colors that would also characterize his later pursuits in other... |
- Brooklyn Museum
