| Preview | Description
  | Artist | Notes |
|---|---|---|---|
 | The Hudson At The Tappan Zee by Francis A. Silva 1876 Brooklyn Museum New York, NY | Silva, Francis A. | |
 | The Invalid by Louis Lang 1870 Brooklyn Museum New York, NY | Lang, Louis | |
 | The Last Days Of Pompeii by James Hamilton 1864 Brooklyn Museum New York, NY | Hamilton, James | |
 | The Lilac Kimono by Samuel Isham ca. 1895 - 1900 Brooklyn Museum New York, NY | Isham, Samuel | |
 | The Long Road--Argilla Road, Ipswich by Arthur Wesley Dow ca. 1898 Brooklyn Museum New York, NY | Dow, Arthur Wesley |  rrangement of colors and shapes. Dow's ideas were disseminated widely through he influential art manual Composition (1899), which was heavily illustrated with Japanese examples. |
 | The Man Who Posed as Richelieu by Robert Henri 1898 Brooklyn Museum New York, NY | Henri, Robert | The title of Robert Henri's portrait of an unnamed Paris model underscores the artifice of posing by referring to two separate personalities: the historical persona of the ruthless French cardinal Armand Jean du Plessis Richelieu (1585-1642) and that of the anonymous sitter, whose identity remains a mystery. |
 | The Mansard Roof by Edward Hopper 1923 Brooklyn Museum New York, NY | Hopper, Edward | |
 | The Market Woman by Jerome Myers ca. 1912 Brooklyn Museum New York, NY | Myers, Jerome | Myers often depicted the streets, river piers, parks, and playgrounds of New York’s Lower East Side—a neighborhood then populated mainly by poor European immigrants. He especially enjoyed the exceptional energy and vitality of the open-air markets, writing that “the immigrants merge here with New York.” |
 | The Mill-stream by Nathaniel Currier Hand-colored lithograph on woven paper Brooklyn Museum New York, NY | Currier, Nathaniel | |
 | The Mill-stream by Frances Flora Palmer Hand-colored lithograph on woven paper Brooklyn Museum New York, NY | Palmer, Frances Flora |
- Brooklyn Museum
