| Preview | Description
  | Artist | Notes |
|---|---|---|---|
 | Oil Fire by Joseph Pennell 19th century Brooklyn Museum New York, NY | Pennell, Joseph | |
 | Old Homestead, View Of Brooklyn by William Rickarby Miller 1869 Brooklyn Museum New York, NY | Miller, William Rickarby | |
 | Old Mill, West Milford, New Jersey by David Johnson Sept. 1850 Brooklyn Museum New York, NY | Johnson, David | |
 | On Claverack Creek Near Hudson, New York by Thomas Addison Richards 1846 Brooklyn Museum New York, NY | Richards, Thomas Addison | |
 | On Ninth Avenue, New York by William Rickarby Miller 1879 Brooklyn Museum New York, NY | Miller, William Rickarby | |
 | On The Beach by Edward Henry Potthast ca. 1913 Brooklyn Museum New York, NY | Potthast, Edward Henry |  wly popular among city dwellers liberated from restrictive social mores and increasingly aware of the salutary effects of fresh air and physical exercise. In 1915 the Brooklyn Museum made a very progressive purchase of two of these paintings, displayed on the screen--Bathers and On the Beach |
 | On the Cliff by Theodore Robinson ca. 1887 Brooklyn Museum New York, NY | Robinson, Theodore | |
 | On the Viga, Outskirts of the City of Mexico by Samuel Colman 1892 Brooklyn Museum New York, NY | Colman, Samuel | |
 | On the Way between Old and New Cairo, Citadel Mosque of Mohammed Ali, and Tombs of the Mamelukes by Louis Comfort Tiffany 1872 Brooklyn Museum New York, NY | Tiffany, Louis Comfort | Louis Comfort Tiffany's beginnings as a painter have been overshadowed by his stunning achievements as a decorator and stained-glass designer. Yet this early work, which records the scene in terms of colored light filtering through veils of blowing sand, reveals a sensitivity to luminous colors that would also characterize his later pursuits in other... |
 | Painting No. 48 by Marsden Hartley 1913 Brooklyn Museum New York, NY | Hartley, Marsden | angement of abstract, geometric forms. The numeral 8 appears prominently in the composition and seems to explode into the foreground. According to the artist, the picture represents the mystical embodiment of "eight," a number generally associated with spiritual transcendence. Although Hartley offered no additional explanation, hints of his... |
- Brooklyn Museum
