PreviewDescription
ArtistNotes
Mrs. John Graham

by Charles Christian Nahl

1849
oil on canvas
35 7/8 x 28 3/4 in. (91.2 x 73.1 cm)

Brooklyn Museum

New York, NY

Nahl, Charles Christian 
Mrs. John Haskins

by Joseph Badger

1759
oil on canvas
35 13/16 x 28 3/8 in. (91 x 72 cm)

Brooklyn Museum

New York, NY

Badger, Joseph 
Mrs. Neall

by Charles Ingham

ca. 1845
oil on canvas
29 15/16 x 24 7/8 in. (76 x 63.2 cm)

Brooklyn Museum

New York, NY

Ingham, Charles 
Mrs. Robert Donaldson (Susan Jane Gaston)

by George Cooke

1832
oil on canvas
50 x 40 3/16 in. (127 x 102 cm)

Brooklyn Museum

New York, NY

Cooke, George 
Mrs. Theodore Camp

by Charles Ingham

ca. 1845
oil on canvas
29 15/16 x 24 15/16 in. (76 x 63.3 cm)

Brooklyn Museum

New York, NY

Ingham, Charles 
Mrs. William Allen

by John Wollaston

ca. 1756
oil on canvas
35 7/8 x 28 5/8 in. (91.2 x 72.7 cm)

Brooklyn Museum

New York, NY

Wollaston, John 
Mrs. William Milnor, nee Margaret Purves

by John Neagle

1825
oil on canvas
29 3/4 x 24 13/16 in. (75.5 x 63.1 cm)

Brooklyn Museum

New York, NY

Neagle, John 
Mrs. Wyseman Clagett

by Joseph Blackburn

ca. 1760
oil on canvas
36 1/16 x 27 3/4 in. (91.6 x 70.5 cm)

Brooklyn Museum

New York, NY

Blackburn, Joseph 
Mrs.thomas Mumford Vi

by William Johnston

1763
oil on canvas
49 15/16 x 38 13/16 in. (126.9 x 98.6 cm)

Brooklyn Museum

New York, NY

Johnston, Williamnotes
William Johnston was the first portraitist to work for an extended period of time (1763-64) in Connecticut, where he enjoyed the patronage of prominent colonists like the Mumfords before returning to his native Boston. This likeness of Catherine Havens Mumford (1735-1778), one of four known portraits of Mumford family members, was probably painted at...
My Children

by Abbott Handerson Thayer

ca. 1896-1910
oil on canvas
48 1/16 x 60 3/8 in. (122.1 x 153.3 cm)

Brooklyn Museum

New York, NY

Thayer, Abbott Handersonnotes
Although Abbott Handerson Thayer's children (Gladys, Mary, and Gerald, left to right) modeled for this painting, it does not look like a standard portrait, and the children's actual identities may have little to do with Thayer's overall aims for the work. The painting was not intended to convey a particular religious content, but its composition and...
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