PreviewDescription
ArtistNotes
James Cochran Dobbin

by John Cranch

c. 1845
oil on canvas
92cm x 75cm (36 1/4" x 29 1/2")

Smithsonian Institution

New York, NY

Cranch, John 
Jefferson Davis

by George Lethbridge Saunders

1849
Watercolor on ivory
Feigned Oval: 17 x 14cm (6 11/16 x 5 1/2") Case Open: 19.4 x 33 x 1.3cm (7 5/8 x 13 x 1/2")

Smithsonian Institution

New York, NY

Saunders, George Lethbridge 
Joel Chandler Harris

by Lucy May Stanton

c. 1914
Watercolor on ivory
Ivory: 17.8 x 12.7cm (7 x 5"), Accurate Frame: 33.7 x 28.6cm (13 1/4 x 11 1/4")

Smithsonian Institution

New York, NY

Stanton, Lucy Maynotes
Joel Chandler Harris, a journalist, humorist, and author of the Uncle Remus stories, lived across the street in Atlanta, Georgia, from Lucy May Stanton when she was a child. She often sat on his knee, listening to his animal stories. When she first asked to paint him in 1906, he queried her desire to paint an old buzzard like me. This is a second,...
John Bard

by David Claypoole Johnston

1828
Lithograph on paper
Image: 8.6 x 7.5cm (3 3/8 x 2 15/16")

Smithsonian Institution

New York, NY

Johnston, David Claypoole 
John Ericsson

by Arvid Frederick Nyholm

1912
oil on canvas
Stretcher (Verified): 123.8 x 92.7 x 2.5cm (48 3/4 x 36 1/2 x 1") Frame (Verified): 154.3 x 122.6 x 11.4cm (60 3/4 x 48 1/4 x 4 1/2")

Smithsonian Institution

New York, NY

Nyholm, Arvid Fredericknotes
Before he came to the United States in 1839, the Swedish-born engineer and inventor John Ericsson revolutionized navigation with his development of the screw propeller. He achieved fame during the Civil War when he designed the ironclad warship Monitor, the federal response to the threat of the Confederate ironclad Virginia (the refitted USS...
John Merven Carrere

by William DeLeftwich Dodge

c. 1905
oil on canvas
102cm x 76.2cm (40 3/16" x 30")

Smithsonian Institution

New York, NY

Dodge, William DeLeftwichnotes
Portrait of John Merven Carrere seated in a chair, his body turned to the right, his head turned to fact the viewer, his right arm resting on the arm of his chair, his hands folded in his lap.
John Quincy Adams

by William Hudson Jr.

1844
oil on canvas
36 1/2 x 29 1/4 in.

Smithsonian Institution

New York, NY

Hudson Jr., Williamnotes
Description: Portrait of John Quincy Adams seated in a red upholstered chair, his body turned to the left, his gaze directed toward the viewer, and a telescope held in his left hand.
John Wesley Jarvis

by Bass Otis

1816
Oil on panel
45.8cm x 35cm (18 1/16" x 13 3/4")

Smithsonian Institution

New York, NY

Otis, Bassnotes
Description: Portrait of John Wesley Jarvis, his body turned to the left, his gaze directed down, He wears a dark jacket with a white stock.
Joshua Reed Giddings

by John Cranch

1855
oil on canvas
76.2cm x 63.5cm (30" x 25")

Smithsonian Institution

New York, NY

Cranch, Johnnotes
Description: Portrait of Joshua Reed Giddings with his body turned to the left and his head turned to face the viewer. He wears a dark jacket, vest, and tie with a white shirt.
Landscape with Classical Ruins

by Frederic Edwin Church

1869
Oil.
Approx. 12 x 20 in. (cm. 30.5 x 50.8)

Smithsonian Institution

New York, NY

Church, Frederic Edwin 
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