PreviewDescription
ArtistNotes
Canal in Venice, San Trovaso Quarter

by Robert Frederick Blum

ca. 1885
oil on canvas
34 x 23 1/8 in. (86.5 x 58.6 cm)

Smithsonian American Art Museum

Washington, D.C.

Blum, Robert Frederick 
Capri from Sorrento

by George Elbert Burr

1898
pen and ink on paper
sheet: 10 7/8 x 13 3/4 in. (27.6 x 35.0 cm)

Smithsonian American Art Museum

Washington, D.C.

Burr, George Elbert 
Capsized Fishing Boats, Brittany

by Henry Ossawa Tanner

etching and aquatint on paper
plate: 5 7/8 x 7 3/4 in. (14.8 x 19.8 cm)

Smithsonian American Art Museum

Washington, D.C.

Tanner, Henry Ossawa 
Capt. John Gassoway

by Charles Willson Peale

1790
watercolor on ivory
sight 1 1/2 x 1 1/8 in. (3.8 x 2.9 cm) oval

Smithsonian American Art Museum

Washington, D.C.

Peale, Charles Willsonnotes
Captain John Gassoway (1754-1820), also spelled Gassaway, was wounded and taken prisoner at the disastrous Battle of Camden, fought by Revolutionary forces in South Carolina in 1780. Branches of his family occupy a prominent role in the history of South Carolina, and Anne Arundel County, Maryland. Conservation of this miniature was made possible...
Captain John (Ab-ba-ba-pomo)

by Grace Carpenter Hudson

oil on canvas
23 7/8 x 17 3/4 in. (60.5 x 45.0 cm.)

Smithsonian American Art Museum

Washington, D.C.

Hudson, Grace Carpenter 
Captain Wheeler

by Alice Pike Barney

1892
oil on canvas
23 1/2 x 19 1/8 in. (59.7 x 48.6 cm)

Smithsonian American Art Museum

Washington, D.C.

Barney, Alice Pike 
Capture Of H.b.m. Frigate Macedonian By U.s. Frigate United States, October 25, 1812

by Thomas Chambers

1852
oil on canvas
34 7/8 x 50 1/4 in. (88.6 x 127.5 cm.)

Smithsonian American Art Museum

Washington, D.C.

Chambers, Thomas 
Carrefour at the End of the Tapis Vert, Versailles

by James Carroll Beckwith

1913
oil on canvas
24 x 20 1/4 in. (60.9 x 51.4 cm.)

Smithsonian American Art Museum

Washington, D.C.

Beckwith, James Carroll 
Castle Creek Canyon, South Dakota

by Franklin De Haven

1912
oil on canvas
44 x 36 1/8 in. (111.7 x 91.6 cm.)

Smithsonian American Art Museum

Washington, D.C.

De Haven, Franklin 
Castle of San Juan de Vlua, Vera Cruz

by Thomas Moran

1884
etching on parchment
11 5/8 x 10 1/8 in. (29.5 x 25.7 cm)

Smithsonian American Art Museum

Washington, D.C.

Moran, Thomas 
Castle Rock, Marblehead

by Alfred Thompson Bricher

1878
oil on canvas
26 1/8 x 50 1/4 in. (66.3 x 127.5 cm)

Smithsonian American Art Museum

Washington, D.C.

Bricher, Alfred Thompson 
Cathedral at le Puy

by James Carroll Beckwith

1911
oil on wood
13 3/4 x 10 1/8 in. (34.9 x 25.8 cm)

Smithsonian American Art Museum

Washington, D.C.

Beckwith, James Carroll 
Catherine Douglas Dickson

by Raphaelle Peale

ca. 1818
watercolor on ivory
2 5/8 x 2 1/4 in. (6.8 x 5.6 cm) oval

Smithsonian American Art Museum

Washington, D.C.

Peale, Raphaelle 
Catherine Market

by Charles Frederick Mielatz

1903-1907
etching
9 5/8 x 6 1/2 in. (24.4 x 16.5 cm)

Smithsonian American Art Museum

Washington, D.C.

Mielatz, Charles Frederick 
Cave Scene

by John O'Brien Inman

oil on wood
7 x 9 in. (17.9 x 23.0 cm.)

Smithsonian American Art Museum

Washington, D.C.

Inman, John O'Brien 
Central Metope Of The Frieze Of Phidias, Parthenon

by Henry Bacon

ca. 1909-1912
watercolor
sight 26 x 19 in. (66.0 x 48.3 cm)

Smithsonian American Art Museum

Washington, D.C.

Bacon, Henry 
Central Park and the Plaza

by William Anderson Coffin

oil on canvas
sight 24 1/4 x 29 1/4 in. (61.6 x 74.3 cm.)

Smithsonian American Art Museum

Washington, D.C.

Coffin, William Anderson 
Ceres

by Alice Pike Barney

1901
Pastel on canvas
18 x 14 7/8 in. (45.8 x 37.8 cm)

Smithsonian American Art Museum

Washington, D.C.

Barney, Alice Pike 
Charles Francis Adams

by Anson Dickinson

1827
watercolor on ivory
sight 2 7/8 x 2 3/8 in. (7.3 x 6.0 cm)

Smithsonian American Art Museum

Washington, D.C.

Dickinson, Ansonnotes
Charles Francis Adams (1807-1886) was the son of John Quincy Adams and Louisa Catherine Johnson Adams. His youth was spent in St. Petersburg and Paris, until his father was recalled to become secretary of state. After graduating from Harvard in 1825, he spent the next three years unemployed in Washington, D.C. He was elected to the Massachusetts...
Charles William Mcginnes

by Carl Weinedel

1833
watercolor on ivory
1 3/8 x 1 1/8 in. (3.5 x 2.9 cm) oval

Smithsonian American Art Museum

Washington, D.C.

Weinedel, Carlnotes
Beyond his name, we know nothing about Charles William McGinnes. According to an inscription on the back of this miniature, it was painted in Richmond in 1833. The engraving also includes the date March 18th 1823, which may commemorate the date of a wedding or other significant occasion.
Checker Players

by Thomas Anshutz

ca. 1895
oil on canvas
16 1/8 x 20 1/8 in. (40.8 x 51.0 cm.)

Smithsonian American Art Museum

Washington, D.C.

Anshutz, Thomasnotes
Two boys sit engrossed in a game of checkers, each focusing intently on his next move. The dark, featureless interior draws our attention to the players' rigid poses. The lack of movement, somber tones, and carefully balanced composition create a serious image around a familiar game, something that is usually viewed as carefree and fun.
Chestnuts

by John Henry Twachtman

after 1889
pastel on paper
15 x 19 1/2 in. (38.1 x 49.5 cm)

Smithsonian American Art Museum

Washington, D.C.

Twachtman, John Henry 
Chief Justice Theophilus Parsons

by Sarah Goodridge

ca. 1820
watercolor on ivory
sight 2 3/4 x 2 1/8 in. (7.0 x 5.4 cm)

Smithsonian American Art Museum

Washington, D.C.

Goodridge, Sarahnotes
A leading lawyer in New England, Theophilus Parsons (1750-1813) wrote the Essex Report, which outlined many of the principles for a republican form of government. He helped to draft the Massachusetts state constitution, and also worked to have the federal Constitution ratified. Parsons served as chief justice of the Massachusetts Supreme Judicial...
Child in Browns

by Alice Pike Barney

ca. 1889
oil on canvas
11 x 8 3/4 in. (27.9 x 22.2 cm)

Smithsonian American Art Museum

Washington, D.C.

Barney, Alice Pike 
Child with Birds and Dog

by Edward M. Bannister

1882
oil on canvas
44 3/8 x 34 1/4 in. (112.6 x 86.9 cm)

Smithsonian American Art Museum

Washington, D.C.

Bannister, Edward M. 
Children Burying a Bird

by Julian Alden Weir

1878
oil on canvas mounted on fiberglass
22 1/4 x 18 1/8 in. (56.3 x 46.1 cm.)

Smithsonian American Art Museum

Washington, D.C.

Weir, Julian Alden 
Christ and Socrates (mural study, "The Law Givers," U.S. Department of Justice, Washington, D.C.)

by Boardman Robinson

ca. 1935
Watercolor and pencil on paper
sheet (part A): 10 1/2 x 10 1/2 in. (26.7 x 26.7 cm) image: 8 1/8 x 8 1/8 in. (20.6 x 20.6 cm) sheet (part B): 10 1/2 x 10 5/8 in. (26.7 x 27.0 cm)

Smithsonian American Art Museum

Washington, D.C.

Robinson, Boardman 
Christ Appearing to Mary

by Albert Pinkham Ryder

ca. 1885
oil on canvas mounted on fiberboard
14 1/4 x 17 1/4 in. (36.1 x 43.8 cm)

Smithsonian American Art Museum

Washington, D.C.

Ryder, Albert Pinkham 
Christ Walking on the Water

by Henry Ossawa Tanner

etching on paper
7 1/4 x 9 5/8 in. (18.3 x 24.3 cm)

Smithsonian American Art Museum

Washington, D.C.

Tanner, Henry Ossawa 
Christian

by Alice Pike Barney

1910
Pastel on paper
20 5/8 x 19 in. (52.4 x 48.2 cm.)

Smithsonian American Art Museum

Washington, D.C.

Barney, Alice Pike 
Christmas Morn

by William Hillock Low

1908
oil on canvas
50 3/8 x 26 1/8 in. (128.0 x 66.4 cm.)

Smithsonian American Art Museum

Washington, D.C.

Low, William Hillock 
Circe

by Frederick Stuart Church

1910
oil on canvas
32 x 53 7/8 in. (81.3 x 137.0 cm)

Smithsonian American Art Museum

Washington, D.C.

Church, Frederick Stuart 
Circe

by Alice Pike Barney

Pastel on canvas
30 1/8 x 24 7/8 in. (76.4 x 63.1 cm.)

Smithsonian American Art Museum

Washington, D.C.

Barney, Alice Pike 
City of Washington from beyond the Navy Yard

by William James Bennett

1834
hand-colored aquatint on paper
image: 17 5/8 x 24 5/8 in. (44.9 x 62.4 cm)

Smithsonian American Art Museum

Washington, D.C.

Bennett, William James 
Civitella, Italy

by Johann Hermann Carmiencke

1845
pencil on paper
sheet: 9 1/4 x 13 1/8 in. (23.5 x 33.3 cm)

Smithsonian American Art Museum

Washington, D.C.

Carmiencke, Johann Hermann 
Cliffs of the Upper Colorado River, Wyoming Territory

by Thomas Moran

1882
oil on canvas
16 x 24 in. (40.5 x 61.0 cm.)

Smithsonian American Art Museum

Washington, D.C.

Moran, Thomasnotes
when Indians rode there. Such vividly colored western scenes proved to be a bonanza for the Union Pacific's chief rival, the Northern Pacific Railroad. Jay Cooke, the Philadelphia financier who owned the Northern Pacific, kept Moran on retainer for several years, generating nostalgic images that helped to draw thousands of greenhorns out to the...
Cloudburst At Black Mesa, New Mexico

by Allen Tucker

1925
oil on canvas
30 1/8 x 36 3/8 in. (76.4 x 92.5 cm.)

Smithsonian American Art Museum

Washington, D.C.

Tucker, Allennotes
Allen Tucker was one of the big city artists who came to New Mexico in the 1920s, forsaking the hustle and clamor of the city for the vast spaces of the high desert. Artists from New York and Chicago often focused on the unusual colors and shapes they found in the southwestern landscape or on the startling and theatrical effects of the weather. Here,...
Co-sne-boin

by Charles Bird King

1862
oil on wood
17 5/8 x 14 1/8 in. (44.7 x 35.8 cm.)

Smithsonian American Art Museum

Washington, D.C.

King, Charles Bird 
Coke, Magna Charta, Blackstone {sic}, sketch for mural for the United States Department of Justice

by Boardman Robinson

1935
Gouache on paperboard mounted on fiberboard
18 5/8 x 34 5/8 in. (47.3 x 88.1 cm)

Smithsonian American Art Museum

Washington, D.C.

Robinson, Boardman 
Col. Josiah Parker

by John Ramage

ca. 1789
watercolor on ivory
1 5/8 x 1 1/4 in. (4.2 x 3.2 cm) oval

Smithsonian American Art Museum

Washington, D.C.

Ramage, Johnnotes
Josiah Parker was a Revolutionary soldier and politician. He served in Virginia under George Washington, becoming a major in 1776 and a colonel the following year. He saw action at the battles of Trenton, Princeton, and Brandywine. His short temper got the better of him, however, and he resigned from the army in 1778. Thereafter he served as a naval...
Cold Spring

by Johann Hermann Carmiencke

1854
pencil on paper
sight 14 3/8 x 19 in. (36.5 x 48.3 cm)

Smithsonian American Art Museum

Washington, D.C.

Carmiencke, Johann Hermann 
Colonel Elijah Rice

by John Wood Dodge

1839
watercolor on ivory
image: sight 2 1/2 x 2 in. (6.4 x 5.2 cm) oval

Smithsonian American Art Museum

Washington, D.C.

Dodge, John Woodnotes
Colonel Elijah Rice invested heavily in sugar cane in Cuba, as a thriving part of the slave trade before the Civil War. His life ended in tragedy when he and all but one of his fourteen children died of consumption in Cuba. His widow, with her surviving daughter, Amanda, returned to Huntsville, Alabama, where John Wood Dodge painted this piece. The...
Colonel John Cox

by Charles Willson Peale

1778
watercolor on ivory
sight 1 1/2 x 1 1/8 in. (3.7 x 3.0 cm) oval

Smithsonian American Art Museum

Washington, D.C.

Peale, Charles Willson 
Colonial Graveyard at Lexington

by Frederick Childe Hassam

1891
pastel
17 3/4 x 21 3/4 in. (45.1 x 55.3 cm)

Smithsonian American Art Museum

Washington, D.C.

Hassam, Frederick Childe 
Columbus Before The Queen

by Peter Frederick Rothermel

1841
oil on canvas
62 3/8 x 50 in. (158.4 x 127.0 cm.)

Smithsonian American Art Museum

Washington, D.C.

Rothermel, Peter Frederick 
Commodore Isaac Chauncey

by John Wesley Jarvis

ca. 1814
oil on panel
image (oval): 3 1/4 x 2 3/8 in. (8.3 x 6.0 cm)

Smithsonian American Art Museum

Washington, D.C.

Jarvis, John Wesley 
Composition, Italian Scenery

by George Loring Brown

1846
oil on canvas
40 7/8 x 54 1/4 in (103.8 x 137.6 cm)

Smithsonian American Art Museum

Washington, D.C.

Brown, George Loring 
Connecticut Woods

by Henry Ward Ranger

1899
oil on canvas
28 1/4 x 36 1/4 in. (71.7 x 91.9 cm)

Smithsonian American Art Museum

Washington, D.C.

Ranger, Henry Ward 
Contemplation

by Rembrandt Peale

ca. 1850s
pencil on paper
10 1/8 x 7 5/8 in. (25.7 x 19.5 cm)

Smithsonian American Art Museum

Washington, D.C.

Peale, Rembrandt 
Cornelia Dorothea Jocelyn

by Nathaniel Jocelyn

Oil
21 x 16 1/2 in. (53.3 x 41.9 cm)

Smithsonian American Art Museum

Washington, D.C.

Jocelyn, Nathaniel 
Corner of the Terrace, Versailles

by James Carroll Beckwith

1911
oil on fabric: canvas mounted on paperboard
9 7/8 x 5 7/8 in. (25.1 x 14.9 cm.)

Smithsonian American Art Museum

Washington, D.C.

Beckwith, James Carroll 
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