| Preview | Description
  | Artist | Notes |
|---|---|---|---|
 | Autumn Landscape by Franklin De Haven 1901 Smithsonian American Art Museum Washington, D.C. | De Haven, Franklin | |
 | Autumn Sunshine by George Cochran Lambdin 1880 Smithsonian American Art Museum Washington, D.C. | Lambdin, George Cochran | |
 | Babylon by Alice Pike Barney 1904 Smithsonian American Art Museum Washington, D.C. | Barney, Alice Pike | |
 | Bacchante Triste by Alice Pike Barney Pastel on fiberboard Smithsonian American Art Museum Washington, D.C. | Barney, Alice Pike | |
 | Back View of Mandan Village, Showing the Cemetery by George Catlin 1832 Smithsonian American Art Museum Washington, D.C. | Catlin, George | |
 | Bagdad by Allen Tucker 1923 Smithsonian American Art Museum Washington, D.C. | Tucker, Allen | |
 | Ballerine by Alice Pike Barney 1896 Smithsonian American Art Museum Washington, D.C. | Barney, Alice Pike | |
 | Bar Harbor by Alice Pike Barney ca. 1892 Smithsonian American Art Museum Washington, D.C. | Barney, Alice Pike | |
 | Bassin de Neptune, Versailles by James Carroll Beckwith 1913 Smithsonian American Art Museum Washington, D.C. | Beckwith, James Carroll | |
 | Bay at Nevin, Wales by George Elbert Burr 1899 Smithsonian American Art Museum Washington, D.C. | Burr, George Elbert | |
 | Beach of Bass Rocks, Gloucester, Massachusetts by Frank Knox Morton Rehn 1881 Smithsonian American Art Museum Washington, D.C. | Rehn, Frank Knox Morton |  Frank Knox Morton Rehn was known primarily as a marine painter whose images captured scenes along the Massachusetts coast. This painting depicts a stretch of beach in Gloucester, a popular East Coast tourist destination throughout the nineteenth century. The scene is dominated by sky and sea, yet Rehn avoided using shades of blue and instead chose... |
 | Beach Umbrellas at Blue Point by William Glackens ca. 1915 Smithsonian American Art Museum Washington, D.C. | Glackens, William | |
 | Bear Creek Canyon, Denver, Colorado by George Elbert Burr 1922 Smithsonian American Art Museum Washington, D.C. | Burr, George Elbert | |
 | Beatrice by Alice Pike Barney ca. 1907 Smithsonian American Art Museum Washington, D.C. | Barney, Alice Pike | |
 | Begonias by Henry Golden Dearth oil on canvas Smithsonian American Art Museum Washington, D.C. | Dearth, Henry Golden | |
 | Bell Foundry, Germany by Walter Shirlaw ca. 1874 Smithsonian American Art Museum Washington, D.C. | Shirlaw, Walter | |
 | Benjamin Hazard Field by Daniel Huntington 1887 Smithsonian American Art Museum Washington, D.C. | Huntington, Daniel | |
 | Benjamin Hurd, Jr. by William M. S. Doyle ca. 1804-1818 Smithsonian American Art Museum Washington, D.C. | Doyle, William M. S. | Benjamin Hurd Jr. (1778-1818) was born in Roxbury, Massachusetts. His grandfather Jacob Hurd (1702-1758) was a leading silversmith in colonial Boston, and the artists father and uncle both followed in the trade. |
 | Benjamin Rush Spencer by Lilly Martin Spencer 1848-1852 Smithsonian American Art Museum Washington, D.C. | Spencer, Lilly Martin | |
 | Berniah Willet by John Mix Stanley ca. 1853 Smithsonian American Art Museum Washington, D.C. | Stanley, John Mix | |
 | Betsy Goodridge by Sarah Goodridge ca. 1840 Smithsonian American Art Museum Washington, D.C. | Goodridge, Sarah | It is unclear what relation this lady is to Sarah Goodridge, but she may have been an aunt, or an older sister-in-law. |
 | Between Poses by Alice Pike Barney 1910 Smithsonian American Art Museum Washington, D.C. | Barney, Alice Pike | |
 | Beulah Appleton by Sarah Goodridge ca. 1840 Smithsonian American Art Museum Washington, D.C. | Goodridge, Sarah | This is a portrait of Sarah Goodridge’s niece, the daughter of Sarah’s sister Beulah and her husband, Thomas Appleton. Sarah also painted another miniature of one of the Appleton children, Sarah, with her cat, Sanko. |
 | Billy Sunday in Action by Boardman Robinson 1915 Smithsonian American Art Museum Washington, D.C. | Robinson, Boardman | |
 | Bird Nesting by Emanuel Gottlieb Leutze 1837 Smithsonian American Art Museum Washington, D.C. | Leutze, Emanuel Gottlieb | |
 | Black Knife, An Apache Warrior by John Mix Stanley 1846 Smithsonian American Art Museum Washington, D.C. | Stanley, John Mix | |
 | Blond Man by Alice Pike Barney oil on canvas Smithsonian American Art Museum Washington, D.C. | Barney, Alice Pike | |
 | Blonde Studio Model by Alice Pike Barney oil on canvas Smithsonian American Art Museum Washington, D.C. | Barney, Alice Pike | |
 | Blue Jays In Winter, Study For Book Concealing Coloration In The Animal Kingdom by Abbott Handerson Thayer ca. 1905-1909 Smithsonian American Art Museum Washington, D.C. | Thayer, Abbott Handerson | |
 | Blue Mist by Arthur Bowen Davies ca. 1920 Smithsonian American Art Museum Washington, D.C. | Davies, Arthur Bowen | |
 | Boats, St. Tropez by Samuel Halpert 1929 Smithsonian American Art Museum Washington, D.C. | Halpert, Samuel | |
 | Book of Pictures by Kenyon Cox 1910-1917 Smithsonian American Art Museum Washington, D.C. | Cox, Kenyon | using such means to encourage lessons of good taste that would extend into all aspects of American life. |
 | Boudoir, Chateau de Chaalis by Walter Gay 1914 Smithsonian American Art Museum Washington, D.C. | Gay, Walter | This chateau was once the home of an aristocrat who left it to the French Institute in Paris as a museum with all the art objects and furnishings intact. In 1914, its curator invited Walter Gay to visit and allowed him to paint this opulent chamber. A contemporary critic praised Gay’s paintings, saying that “the personality of the people who live... |
 | Bowl Of Flowers by Morton Livingston Schamberg 1918 Smithsonian American Art Museum Washington, D.C. | Schamberg, Morton Livingston | |
 | Boy Playing Marbles by David Gilmour Blythe ca. 1858 Smithsonian American Art Museum Washington, D.C. | Blythe, David Gilmour | |
 | Bradbury's Mill Pond by Henry Ward Ranger 1903 Smithsonian American Art Museum Washington, D.C. | Ranger, Henry Ward | |
 | Bridge at Old Lyme by Frederick Childe Hassam 1922 Smithsonian American Art Museum Washington, D.C. | Hassam, Frederick Childe | |
 | Bringing Home the New Born Lamb by Elliott Daingerfield 1890 Smithsonian American Art Museum Washington, D.C. | Daingerfield, Elliott | |
 | Bronze Buddha by Henry Golden Dearth oil on canvas Smithsonian American Art Museum Washington, D.C. | Dearth, Henry Golden | |
 | Brother And Sister (Mary And Gerald Thayer) by Abbott Handerson Thayer 1889 Smithsonian American Art Museum Washington, D.C. | Thayer, Abbott Handerson | This work portrays Abbott Thayer's children one year after their mother's hospitalization for "melancholia," or severe depression. Kate Thayer became physically ill while hospitalized, and Thayer wrote to a friend that her physical deterioration would not be so horrible "were her soul visible" (Anderson, Abbott Handerson Thayer, 1982). Thayer... |
 | Brother-in-law Of Mrs. Alexander Rose by Archibald Robertson ca. 1795 Smithsonian American Art Museum Washington, D.C. | Robertson, Archibald | Alexander Rose and his wife, the former Margaret Smith, both had their portraits painted in miniature by Pierre Henri, and both are in this collection. Mrs. Rose’s father was a prominent New York Loyalist, Judge William Smith, and Margaret was his thirteenth child. This sitter may be the husband of one of Margaret’s sisters. The miniature was... |
 | Brown Kimono (Portrait of Kathryn Beta la Forque) by Irving R. Wiles 1908 Smithsonian American Art Museum Washington, D.C. | Wiles, Irving R. | |
 | Buffalo Hunt On The Southwestern Prairies by John Mix Stanley 1845 Smithsonian American Art Museum Washington, D.C. | Stanley, John Mix | |
 | Buffalo Scene by Emil W. Lenders 1922 Smithsonian American Art Museum Washington, D.C. | Lenders, Emil W. | |
 | Burning Oil Well At Night, Near Rouseville, Pennsylvania by James Hamilton ca. 1861 Smithsonian American Art Museum Washington, D.C. | Hamilton, James | Rouseville, Pennsylvania, lay within a few miles of Titusville and Pithole City, two of the most famous boomtowns in Pennsylvania s oil fields. From 1859 until after the Civil War, new gushers brought investors, cardsharps, saloons, and speculators into these rural settlements. As quickly as they grew, however, the towns collapsed, often from the... |
 | Business Neglected by John George Brown etching on parchment Smithsonian American Art Museum Washington, D.C. | Brown, John George | |
 | Caernarvon Castle by George Elbert Burr 1899 Smithsonian American Art Museum Washington, D.C. | Burr, George Elbert | |
 | Cafe at Biskra, Algeria by Frederick Arthur Bridgman 1884 Smithsonian American Art Museum Washington, D.C. | Bridgman, Frederick Arthur | |
 | California Spring Landscape by Elmer Wachtel ca. 1920 Smithsonian American Art Museum Washington, D.C. | Wachtel, Elmer | |
 | Callers by Walter Ufer ca. 1926 Smithsonian American Art Museum Washington, D.C. | Ufer, Walter | This painting captures an everyday, yet deeply poetic moment among New Mexico's Pueblo Indians. Ufer was a German emigre who brought to America an intense sympathy for ordinary people instilled in him by his socialist family. He did not romanticize his sitters, because he understood that the Indian "resents being regarded as a curiosityas a... |
 | Camelback Mountain, Phoenix by George Elbert Burr ca. 1926 Smithsonian American Art Museum Washington, D.C. | Burr, George Elbert |
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