PreviewDescription
ArtistNotes
View of Cannes with Parasol Pines

by William Stanley Haseltine

1869 or later
Opaque watercolor over graphite on blue-gray paper
Sheet (irregular): 38.6 x 56.0 cm (15 3/16 x 22 1/16 in.)

Museum of Fine Arts

Boston, MA

Haseltine, William Stanley 
View Of New Bedford

by William Allen Wall

Watercolor on paper
Sheet: 22.4 x 35.9 cm (8 13/16 x 14 1/8 in.)

Museum of Fine Arts

Boston, MA

Wall, William Allen 
View Of New York City

by Nicolino Calyo

1819–84
Watercolor on paper
Sheet: 33.0 x 48.9 cm (13 x 19 1/4 in.)

Museum of Fine Arts

Boston, MA

Calyo, Nicolino 
View Of Roxbury

by John White Allen Scott

1854
oil on canvas
Height x width: 28 1/4 x 35 in. (71.8 x 88.9 cm) Framed: 36 x 43 in. (91.4 x 109.2 cm)

Museum of Fine Arts

Boston, MA

Scott, John White Allen 
View of Siena, Italy

by Charles Herbert Woodbury

1890
Watercolor on paper
28.5 x 44.5 cm (11 1/4 x 17 1/2 in.)

Museum of Fine Arts

Boston, MA

Woodbury, Charles Herbert 
View Of West Point From Constitution Island

by George Wainwright Harvey

Watercolor on paper
Sheet: 26.4 x 43.5 cm (10 3/8 x 17 1/8 in.)

Museum of Fine Arts

Boston, MA

Harvey, George Wainwright 
View on a New Hampshire Lake

by Thomas Doughty

about 1835
Oil on panel
30.16 x 43.18 cm (11 7/8 x 17 in.)

Museum of Fine Arts

Boston, MA

Doughty, Thomas 
View On The Hudson

by George Wainwright Harvey

1836
Oil on panel
31.11 x 48.58 cm (12 1/4 x 19 1/8 in.)

Museum of Fine Arts

Boston, MA

Harvey, George Wainwright 
View On The Hudson Near Anthony's Nose

by John William Hill

Dated 1847
Watercolor on paper
Sheet: 51.4 x 79.7 cm (20 1/4 x 31 3/8 in.)

Museum of Fine Arts

Boston, MA

Hill, John William 
Villa di Marlia, Lucca: The Balustrade

by John Singer Sargent

1910
Transparent and opaque watercolor over graphite pencil, with wax resist on paper
40 x 52 cm (15 3/4 x 20 1/2 in.)

Museum of Fine Arts

Boston, MA

Sargent, John Singernotes
This was painted in one of the villa di Marlia  near Lucca. He painted many like this in Tuscany and around Rome. He combines the elegance of the architecture with the foliage of the garden -- the post and the balustrade actually occupying a greater importance in this composition.  This simplicity and grandeur, cleanness and harmony...
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