| Preview | Description
  | Artist | Notes |
|---|---|---|---|
 | Fandango by Robert Jenkins Onderdonk 1881 Dallas Museum of Art Dallas, TX | Onderdonk, Robert Jenkins | |
 | Fish House Door by John Frederick Peto 1905 Dallas Museum of Art Dallas, TX | Peto, John Frederick |  An eel-fishers tools of the trade are the subject of this late still life by John Frederick Peto, a close associate of William Michael Harnett, the other great trompe loeil (fool the eye) still-life painter of the late 19th century. Peto often chose to represent doors with objects hanging on or tacked to them, such as in this work. He frequently... |
 | Five Boys on a Wall by Eastman Johnson c. 1875-1880 Dallas Museum of Art Dallas, TX | Johnson, Eastman | to the United States after 1855, "the American Rembrandt"-as Johnson was called-enjoyed popular success for images of everyday life such as this one. |
 | Flags, Fifth Avenue by Frederick Childe Hassam 1918 Dallas Museum of Art Dallas, TX | Hassam, Frederick Childe | |
 | Flat Iron Building by Colin Campbell Cooper 1904 Dallas Museum of Art Dallas, TX | Cooper, Colin Campbell | |
 | General Sherman, Sequoia by Ernest Haskell 1914 or 1915 Dallas Museum of Art Dallas, TX | Haskell, Ernest | |
 | Haystack by Ernest Haskell 1916 Dallas Museum of Art Dallas, TX | Haskell, Ernest | |
 | Indian Summer, Vermont by Willard Leroy Metcalf 1922 Dallas Museum of Art Dallas, TX | Metcalf, Willard Leroy | |
 | Landscape--the Fountain of Vaucluse by Thomas Cole 1841 Dallas Museum of Art Dallas, TX | Cole, Thomas | |
 | Mary Trusler by Jeremiah Theus c. 1760 Dallas Museum of Art Dallas, TX | Theus, Jeremiah | Painted about five years into Mary Trusler's second marriage, her portrait reveals Jeremiah Theus's direct observation of his Charlestonian sitter, her desire for elegant representation, and his own stylistic difficulties. Theus, who had immigrated to South Carolina from Switzerland with his family as a teenager, relied heavily on the use of... |
- Dallas Museum of Art
