PreviewDescription
ArtistNotes
Portrait of a Man

by John Wesley Jarvis

c. 1815-1820
oil on canvas
Overall: 32 3/8 x 27 3/8 in. (82.233 x 69.533 cm)

Dallas Museum of Art

Dallas, TX

Jarvis, John Wesleynotes
This portrait of an unknown gentleman, who is at once flashily self-assured and also slightly awkward, is a characteristic example of the work of John Wesley Jarvis.
Portrait of a Man

by Rembrandt Peale

c. 1800
oil on canvas
28 x 21 in. (71.12 x 53.34 cm) Framed dimensions: 32 x 26 1/2 in. (81.28 x 67.31 cm)

Dallas Museum of Art

Dallas, TX

Peale, Rembrandtnotes
The soft edges, neutral background, and cool tonality of this painting have recently led scholars of the Peale family to reattribute this work to Rembrandt Peale. Initially trained by his father, Rembrandt Peale developed a softer, more three-dimensional style, which this meditative portrait seems to display.
Munich Still Life

by William Michael Harnett

1882
oil on canvas
Overall: 24 5/8 x 30 1/16 in. (62.548 x 76.36 cm)

Dallas Museum of Art

Dallas, TX

Harnett, William Michaelnotes
This still life is full of the everyday objects William Harnett would have known during his student days in Germany.The painting displays the meticulously detailed realism that marked Harnett's brief career. In the late 19th century, trompe l'oeil ("fool the eye") still lifes such as this were enormously popular with collectors and the public.
Miss Dorothy Quincy Roosevelt (Later Mrs. Langdon Geer)

by John White Alexander

1901-1902
oil on canvas
60 x 40 in. (1 m 52.4 cm x 101.6 cm)

Dallas Museum of Art

Dallas, TX

Alexander, John White 
Mary Trusler

by Jeremiah Theus

c. 1760
oil on canvas
Overall: 30 x 25 in. (76.2 x 63.5 cm)

Dallas Museum of Art

Dallas, TX

Theus, Jeremiahnotes
Painted about five years into Mary Trusler's second marriage, her portrait reveals Jeremiah Theus's direct observation of his Charlestonian sitter, her desire for elegant representation, and his own stylistic difficulties. Theus, who had immigrated to South Carolina from Switzerland with his family as a teenager, relied heavily on the use of...
Landscape--the Fountain of Vaucluse

by Thomas Cole

1841
Oil on canvas.
69 x 49 1/8 in. (175.3 x 124.8 cm).

Dallas Museum of Art

Dallas, TX

Cole, Thomas 
Indian Summer, Vermont

by Willard Leroy Metcalf

1922
oil on canvas
Overall: 50 1/4 x 60 1/8 in. (127.635 cm x 1 m 52.73 cm)

Dallas Museum of Art

Dallas, TX

Metcalf, Willard Leroy 
Haystack

by Ernest Haskell

1916
Etching and engraving
4 5/32 x 6 in. (10.556 x 15.24 cm.)

Dallas Museum of Art

Dallas, TX

Haskell, Ernest 
General Sherman, Sequoia

by Ernest Haskell

1914 or 1915
Etching
15 7/8 x 8 15/16 in. (40.34 x 22.71 cm)

Dallas Museum of Art

Dallas, TX

Haskell, Ernest 
Flat Iron Building

by Colin Campbell Cooper

1904
Casein on canvas
Overall: 48 3/4 x 28 7/8 in. (123.825 x 73.343 cm) Depth: 2 in. (5.08 cm)

Dallas Museum of Art

Dallas, TX

Cooper, Colin Campbell 
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