| Preview | Description | Artist | Notes | Content
  |
|---|---|---|---|---|
 | Sunset in the Catskills 1862 Brigham Young University, Museum of Fine Arts Provo, UT | Bricher, Alfred Thompson |  This tranquil rendering of the sun setting in the Catskill Mountains of New York State creates a vision of the American landscape as a peaceful paradise. Much of the American landscape, however, was anything but peaceful when Bricher painted this work. The illusion of harmony created by the portrayal of satisfied cows, a red barn, and trees framing a... | GA |
 | The Valley Of The Catskills Frpm Jefferson Hill 1872 Museum of Fine Arts Boston, MA | Moore, Charles Herbert | GA | |
 | Along Catskill Creek 1868 Private Collection Unknown, USA | Woodward, John Douglas | GA | |
 | Catskill Clove 1856 Metropolitan Museum of Art New York, NY | Miller, William Rickarby | GA | |
 | Catskill Clove In Palingsville 1856 Metropolitan Museum of Art New York, NY | Miller, William Rickarby | GA | |
 | Catskill On Hudson Oil on Canvas Private Collection Unknown, USA | Browere, Albertus Del Orient | GA | |
 | Catskills August 1873 Brooklyn Museum New York, NY | Johnson, David | This drawing of a gnarled tree growing over boulders contains passages of both meticulous deliberation and charming spontaneity. It appears that the artist took a quick break from the primary scene to sketch another subject in the upper right corner of the sheet. With a few economical strokes of his pencil and brush, he created the barest outline of... | GA |
 | Hudson River, Above Catskill 1865 Amon Carter Museum of American Art Fort Worth, TX | Moore, Charles Herbert | GA | |
 | Hunter Mountain, Twilight 1866 The Terra Foundation for American Art Chicago, IL | Gifford, Sanford Robinson | by a cowherd and a house with lighted windows and smoke curling from its chimney underscore the mood of calm repose and domesticity. | GA |
 | The Birches Of The Catskills ca. 1875 Smithsonian American Art Museum Washington, D.C. | Whittredge, Worthington | Worthington Whittredge found it difficult to adjust to painting the New England landscape after almost ten years abroad. He described the forests as “a mass of decaying logs and tangled brush wood” that were completely different from the “well-ordered” European views he was used to. (The Autobiography of Worthington Whittredge, 1942,... | Unrated |
- The Hudson River School
