The Hudson River School was a mid-19th century American art movement embodied by a group of landscape painters whose... Read more
PreviewDescriptionArtistNotes
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Distant View of the Catskills

1891
Oil on canvas
30 1/8 x 54 3/16 in. (76.5 x 137.6 cm)

Metropolitan Museum of Art

New York, NY

Casilear, John William GA
Mountain Lake Scene

1883
oil on canvas
12 1/8 x 20 1/16 in. (30.8 x 51 cm)

Metropolitan Museum of Art

New York, NY

Casilear, John Williamnotes
Jointly owned by The Metropolitan Museum of Art and Wendell S. Arrington, in honor of his parents, Joseph Earl Arrington and Genevieve T. Arrington, 1979
GA
Cliffs of the Upper Colorado River, Wyoming Territory

1882
oil on canvas
16 x 24 in. (40.5 x 61.0 cm.)

Smithsonian American Art Museum

Washington, D.C.

Moran, Thomasnotes
when Indians rode there. Such vividly colored western scenes proved to be a bonanza for the Union Pacific's chief rival, the Northern Pacific Railroad. Jay Cooke, the Philadelphia financier who owned the Northern Pacific, kept Moran on retainer for several years, generating nostalgic images that helped to draw thousands of greenhorns out to the...
GA
Excelsior Geyser, Yellowstone Park

1873
watercolor and pencil on paper
12 1/2 x 9 3/4 in. (31.9 x 24.8 cm)

Smithsonian American Art Museum

Washington, D.C.

Moran, Thomas GA
Fort George Island, Florida

1878
oil on canvas
9 x 12 1/8 in. (22.9 x 30.8 cm.)

Smithsonian American Art Museum

Washington, D.C.

Moran, Thomasnotes
In 1877, Thomas Moran traveled with his wife to Fort George Island, Florida, and made small studies of the trees and beaches, images that were radically different from his sweeping vistas of Yellowstone. Within twenty years after this painting was created, the balmy coasts of South Carolina, Georgia, and Florida had become fashionable tourist...
GA
Mist in Kanab Canyon, Utah

1892
oil on canvas
44 3/8 x 38 3/8 in. (112.7 x 97.5 cm.)

Smithsonian American Art Museum

Washington, D.C.

Moran, Thomas GA
Rainbow over the Grand Canyon of the Yellowstone

1900
oil on canvas
30 1/8 x 37 in. (76.5 x 94.0 cm.)

Smithsonian American Art Museum

Washington, D.C.

Moran, Thomas GA
The Grand Canyon of the Yellowstone

1893-1901
oil on canvas
96 1/2 x 168 3/8 in. (245.1 x 427.8 cm.)

Smithsonian American Art Museum

Washington, D.C.

Moran, Thomas GA
The White Mountains

1874
color lithograph on paper
11 x 15 5/8 in. (27.9 x 39.6 cm)

Smithsonian American Art Museum

Washington, D.C.

Moran, Thomas GA
Valley of Cuernavaca

1903
oil on canvas
14 1/8 x 27 1/8 in. (35.9 x 68.9 cm.)

Smithsonian American Art Museum

Washington, D.C.

Moran, Thomas GA
On the Hudson

oil on canvas
14 3/4 x 21 1/2 in. (37.5 x 54.6 cm)

Metropolitan Museum of Art

New York, NY

Doughty, Thomas GA
Mountain and Lake

1834
Oil on panel
40 x 58.42 cm (15 3/4 x 23 in.)

Museum of Fine Arts

Boston, MA

Doughty, Thomas GA
Landscape with Stream and Mountains

1833
oil on wood
16 3/4 x 24 in. (42.7 x 61.0 cm)

Smithsonian American Art Museum

Washington, D.C.

Doughty, Thomas GA
River View with Hunters and Dogs

ca. 1850
oil on canvas
18 3/4 x 25 in. (47.6 x 63.5 cm.)

Smithsonian American Art Museum

Washington, D.C.

Doughty, Thomas GA
Niagara Falls in Winter

1868
oil on canvas
30.5 x 50.8 cm (12 x 20 in.)

Art Institute of Chicago

Chicago, IL

Cropsey, Jasper Francis GA
Sailing (The Hudson at Tappan Zee)

1883
oil on canvas
14 X 24" (35.56 x 60.96 cm.)

Butler Institute of American Art

Youngstown, OH

Cropsey, Jasper Francisnotes
ible through the thin paint. These sketchy strokes, many of which are not part of the final design, give a somewhat unfinished, rough vitality to the work.
GA
Sunset after a storm in the Catskill mountains

c. 1860
oil on canvas
12 x 20 in. (30.5 x 50.8 cm) Framed: 16 7/8 x 24 7/8 x 2 1/4 in.

Detroit Institute of Arts

Detroit, MI

Cropsey, Jasper Francis GA
Pompton Plains, New Jersey

1867
oil on canvas
20 1/8 x 32 1/4 in. (51.1 x 81.9 cm)

Metropolitan Museum of Art

New York, NY

Cropsey, Jasper Francis GA
Autumn Landscape, Sugar Loaf Mountain, Orange County, New York

oil on canvas
28 1/2 x 35 1/2 in. (72.4 x 90.2 cm)

Metropolitan Museum of Art

New York, NY

Cropsey, Jasper Francis GA
Lake Wawayanda

1876
oil on canvas
12 x 20 1/4 in. (30.5 x 51.3 cm )

Allen Art Museum at Oberlin College

Oberlin, OH

Cropsey, Jasper Francis GA
West Rock, New Haven (East Rock, near Whitneyville)

1849.
oil on canvas.
27 1/8 x 40 1/8 in.

New Britain Museum of American Art

New Britain, CT

Church, Frederic Edwinnotes
Description: Landscape with stream in foreground, figures loading hay onto a cart at center, and the West Rock bluff in the center distance.
GA
Niagara Falls

March 1856.
Oil.
Approx. 11 x 17 in. (cm. 27.9 x 43.2)

Smithsonian Institution

New York, NY

Church, Frederic Edwin GA
Aurora Borealis

1865
oil on canvas
56 x 83 1/2 in. (142.3 x 212.2 cm)

Smithsonian American Art Museum

Washington, D.C.

Church, Frederic Edwin GA
Autumn in North America

Before 1857.
Oil on academy board.
11 1/4 x 17 in. (28.6 x 43.2 cm).

Vassar College, Frances Lehman Loeb Art Center

Poughkeepsie, NY

Church, Frederic Edwin GA
Niagara Falls by Moonlight

1856
graphite and white gouache
h:11.60 w:16.40 cm (h:4 9/16 w:6 7/16 inches)

Cleveland Museum of Art

Cleveland, OH

Church, Frederic Edwin GA
The Monastery of San Pedro (Our Lady of the Snows)

1879
oil on canvas
Unframed - h:118.80 w:183.20 cm (h:46 3/4 w:72 1/8 inches)

Cleveland Museum of Art

Cleveland, OH

Church, Frederic Edwin GA
Natural Bridge, Virginia

1852.
oil on canvas.
28 x 23 in.

University of Virginia Art museum

Charlottesville, VA

Church, Frederic Edwin GA
Scene from "Last of the Mohicans," Cora Kneeling at the Feet of Tamenund

1827.
oil on canvas.
25 3/8 x 35 1/16 in. (64.5 x 89.1 cm).

Wadsworth Atheneum Museum of Art

Hartford, CT

Cole, Thomasnotes
Description: Against mountain scenery the tiny figures of Native Americans are gathered on a rocky ledge for their tribal ceremony. Above them a large rock formation dwarfs the figures.
GA
Catskill Creek, New York

1845.
oil on canvas.
26 1/2 x 36 in.

New York Historical Society

New York, NY

Cole, Thomas GA
Home in the Woods

1847.
oil on canvas.
44 x 66 in. (111.8 x 167.6 cm.).

Reynolda House Museum of American Art

Winston-Salem, NC

Cole, Thomas GA
Schroon Mountain, Adirondacks

1838.
oil on canvas.
39 3/4 x 63 in. (1.010 x 1.60 cm).

Cleveland Museum of Art

Cleveland, OH

Cole, Thomas GA
Falls of Kaaterskill (Kaaterskill Falls)

1826
oil on canvas.
43 x 36 in.

Gulf States Paper Corporation, Fine Art Department, Warner Collection

Tuscakoosa, AL

Cole, Thomasnotes
Description: View of Catskill Mountain scene with Kaaterskill Falls and tiny figure of an Indian in the center.
GA
Bears by Stream

c. 1900
oil on canvas
22 x 29 in.

National Museum of Wildlife Art

Jackson Hole, WY

Herzog, Herman GA
Caribou by a Mountain Lake

c. 1880
oil on canvas
29 x 40 in.

National Museum of Wildlife Art

Jackson Hole, WY

Herzog, Herman GA
Scene from Berchtesgadener Land

1874
oil on canvas
23 x 36 in.

Orlando Museum of Art

Orlando, FL

Herzog, Herman GA
Mill on a Torrent

1871
oil on canvas
18 7/8 x 24 in. (47.8 x 61.0 cm)

Smithsonian American Art Museum

Washington, D.C.

Herzog, Herman GA
Man Hunting (Western Landscape)

1871
oil on canvas
unknown

Anonymous Collection (2)

Unknown

Herzog, Herman GA
Mill with Raging Torrent [Sutter's Mill]

1870
oil on canvas
unknown

Anonymous Collection (2)

Unknown

Herzog, Herman GA
A Mountain Torrent

oil on canvas
111.76 cm (44 in.), Width: 152.4 cm (60 in.)

Anonymous Collection (2)

Unknown

Herzog, Herman GA
By the Banks

oil on canvas
77.47 cm (30.5 in.), Width: 104.14 cm (41 in.)

Anonymous Collection (2)

Unknown

Herzog, Herman GA
Campfire in Moonlight

oil on canvas
56.2 cm (22.13 in.), Width: 73.98 cm (29.13 in.)

Anonymous Collection (2)

Unknown

Herzog, Herman GA
The Hudson River at West Point

1864
oil on canvas
Image: 20 1/8 x 42 1/4 in. (51.1 x 107.3 cm) Frame: 33 1/4 x 55 3/8 x 4 3/16 in. (84.5 x 140.7 x 10.6 cm)

The Terra Foundation for American Art

Chicago, IL

Bricher, Alfred Thompson GA
Midsummer

1870
oil on canvas
22 x 36 in. (55.9 x 91.4 cm) Frame: 34 3/16 x 48 3/16 x 4 in. (86.8 x 122.4 x 10.2 cm)

Brooklyn Museum

New York, NY

Hart, James McDougal GA
Cattle and Landscape

1867
oil on canvas
19 13/16 x 29 13/16 in. (50.4 x 75.7 cm)

Brooklyn Museum

New York, NY

Hart, James McDougal GA
Picnic on the Hudson

1854
oil on canvas
15 3/8 x 55 11/16 in. (39 x 141.5 cm)

Brooklyn Museum

New York, NY

Hart, James McDougal GA
Morning in New England

1873
oil on canvas
Unframed - h:51.50 w:86.60 cm (h:20 1/4 w:34 1/16 inches)

Cleveland Museum of Art

Cleveland, OH

Hart, James McDougalnotes
rican landscape. Hart's membership in the Hudson River School is evident in the earth-tone palette and panoramic viewpoint of the scene.
GA
Sunday Afternoon, Berkshire County, Mass.

1857
oil on canvas
27.31 x 46.36 cm (10 3/4 x 18 1/4 in.) framed: 38.1 x 57.15 x 5.08 cm (15 x 22 1/2 x 2 in.)

Harvard University Art Museums

Cambridge, MA

Hart, James McDougal GA
Village Scene near Albany, New York

1850
oil on canvas
30 1/8 x 42 1/8 in. (76.5 x 107.0 cm.)

Smithsonian American Art Museum

Washington, D.C.

Hart, James McDougalnotes
This image shows a small town to the west of James M. Hart’s home in Albany, New York. He preferred to paint intimate views of country life, rather than dramatic vistas of the wilderness, to show that man and nature could coexist in peace. In Village Scene, the comforting view of farm life, with its children, grazing cows, and picturesque...
GA
Landscape with Cattle

1872
oil on canvas
20 1/4 x 34 1/2 inches

St. Johnsbury Athenaeum

St. Johnsbury, VT

Hart, James McDougalnotes
This quiet idyll is typical of the post-Civil War paintings of James Hart. A herd of cattle, trailing into the distance at the left, leads the viewer's eye from the foreground back to the rural village in the distance in a lyric style and nostalgic sensibility that evoke the approaches of the French Barbizon painters of mid-century.
GA
Marine and Cattle

1884
oil on canvas
19 1/2 x 28 1/2 inches

St. Johnsbury Athenaeum

St. Johnsbury, VT

Hart, James McDougalnotes
This composition by James M. Hart illustrates how the artist's pastoral art developed during his later career. The paintings soft, tonal brushwork and expansive space almost diametrically oppose the crisp specificity of his early work.
GA
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