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After Sunset

Watercolor
7 1/16 x 9 15/16 in. (17.9 x 25.2 cm)

Brooklyn Museum

New York, NY

 Unratedigrkio
Azay le Rideau

1889–99
Black watercolor, black crayon, and graphite on off-white woven paper
6 5/8 x 10 5/8 in. (16.8 x 27 cm)

Metropolitan Museum of Art

New York, NY

 Unratedigrkio
Beach, Acapulco

circa 1912
Watercolor and pastel on blue paper
Sheet: 9 3/4 x 13 3/4 in. (24.76 x 34.92 cm)

Los Angeles County Museum of Art

Los Angeles, CA

 Unratedigrkio
Blue Night, London

circa 1894-1909
Watercolor on light blue paper
Sheet: 10 x 13 13/16 in.; 25.4 x 35.0838 cm; framed: 17 5/16 x 21 1/16 in. (43.97 x 53.50 cm)

Los Angeles County Museum of Art

Los Angeles, CA

 Unratedigrkio
Booze Coming in Bootleggers Standing By

ca. 1926
Watercolor and gouache on off-white woven paper
10 1/4 x 13 in. (26 x 33 cm)

Metropolitan Museum of Art

New York, NY

 Unratedigrkio
Bridge at Soissons

19th century
Watercolor
8 1/2 x 11 in. (21.6 x 27.9 cm)

Brooklyn Museum

New York, NY

 Unratedigrkio
Brooklyn Bridge

before 1921
Transparent and opaque watercolor and black chalk on gray-blue, moderately thick, rough and pitted-textured woven paper
13 5/8 x 10 1/16 in. (34.6 x 25.6 cm)

Brooklyn Museum

New York, NY

notes
Having established himself in London as an etcher of urban architectural views, Joseph Pennell returned to the United States in 1917 and turned his attention to watercolors of New York subjects. This work is probably one of a series of twenty views titled Out of a Brooklyn Window that Pennell exhibited in the Brooklyn Museum’s 1921 watercolor...
Unratedigrkio
Brooklyn Bridge at Night

1922
Aquatint in black ink on cream, light-weight, slightly textured laid paper
Sheet: 8 3/8 x 10 1/2 in. (21.3 x 26.7 cm) Image: 7 3/8 x 8 13/16 in. (18.7 x 22.4 cm)

Brooklyn Museum

New York, NY

notes
After many year abroad, Joseph Pennell settled in Brooklyn Heights in 1921. His upper-story apartment afforded magnificent views of New York, its waterways, and its bridges—all of which were regular subjects in his art. Pennell achieved the tenebrous effects of this work with aquatint, an etching technique in which the picture is conceived in tone...
Unratedigrkio
Chateau de Blois

ca. 1899
Watercolor and graphite on off-white woven paper
10 x 6 7/8 in. (25.4 x 17.5 cm)

Metropolitan Museum of Art

New York, NY

 Unratedigrkio
Church at Soissons

Watercolor
8 1/2 x 11 in. (21.6 x 27.9 cm)

Brooklyn Museum

New York, NY

 Unratedigrkio
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