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Booze Coming in Bootleggers Standing By

ca. 1926
Watercolor and gouache on off-white woven paper
10 1/4 x 13 in. (26 x 33 cm)

Metropolitan Museum of Art

New York, NY

 Unratedigrkio
Purple Afternoon, London

Watercolor, gouache, and graphite on off-white woven paper
8 3/4 x 11 in. (22.2 x 27.9 cm)

Metropolitan Museum of Art

New York, NY

 Unratedigrkio
Chateau de Blois

ca. 1899
Watercolor and graphite on off-white woven paper
10 x 6 7/8 in. (25.4 x 17.5 cm)

Metropolitan Museum of Art

New York, NY

 Unratedigrkio
Warships in the Harbor

ca. 1923
Watercolor, charcoal, and gouache on off-white woven paper
7 x 9 7/8 in. (17.8 x 25.1 cm)

Metropolitan Museum of Art

New York, NY

 Unratedigrkio
Ice Around Governor's Island

ca. 1923
Watercolor and gouache on off-white woven paper
8 1/4 x 10 7/8 in. (21 x 27.6 cm)

Metropolitan Museum of Art

New York, NY

 Unratedigrkio
Azay le Rideau

1889–99
Black watercolor, black crayon, and graphite on off-white woven paper
6 5/8 x 10 5/8 in. (16.8 x 27 cm)

Metropolitan Museum of Art

New York, NY

 Unratedigrkio
St. Paul's, London

ca. 1905–14
Watercolor and gouache on off-white woven paper
9 1/4 x 14 1/8 in. (23.5 x 35.9 cm)

Metropolitan Museum of Art

New York, NY

 Unratedigrkio
Tours from the River

ca. 1899
Black ink and graphite on off-white woven paper
6 3/4 x 10 1/8 in. (17.1 x 25.7 cm)

Metropolitan Museum of Art

New York, NY

 Unratedigrkio
The Towers of St. Martin, Tours

ca. 1899
Watercolor, black crayon, and white gouache on off-white laid paper
10 1/8 x 6 7/8 in. (25.7 x 17.5 cm)

Metropolitan Museum of Art

New York, NY

 Unratedigrkio
Brooklyn Bridge at Night

1922
Aquatint in black ink on cream, light-weight, slightly textured laid paper
Sheet: 8 3/8 x 10 1/2 in. (21.3 x 26.7 cm) Image: 7 3/8 x 8 13/16 in. (18.7 x 22.4 cm)

Brooklyn Museum

New York, NY

notes
After many year abroad, Joseph Pennell settled in Brooklyn Heights in 1921. His upper-story apartment afforded magnificent views of New York, its waterways, and its bridges—all of which were regular subjects in his art. Pennell achieved the tenebrous effects of this work with aquatint, an etching technique in which the picture is conceived in tone...
Unratedigrkio
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