| Preview | Description | Notes
  | Content | Updated by |
|---|---|---|---|---|
 | A Rowdy Party 1845 Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | Pearl 19th century Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | Village Scene with Dutch Colonial Figures Watercolor washes, graphite, and gouache on off-white laid paper Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | John Eliot Preaching to the Indians Ink washes, graphite, gum arabic, and sgraffito on smooth-surfaced off-white woven paper Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | Uncle Toby Graphite and india ink wash Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | Uncle Toby and the Fly 1847 Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | Ichabod Crane in the Schoolroom 1849 Museum of Fine Arts Boston, MA | GA | Anonymous | |
 | Rocks near the Landing at Bald Porcupine Island, Bar Harbor 1872 National Gallery of Art Washington, D.C. |  Rocks near the Landing at Bald Porcupine Island, Bar Harbor, with its high degree of finish, is not a simple preparatory sketch but a drawing that was intended for exhibition and sale. | GA | Anonymous |
 | Crossing the Ice, for James Fenimore Cooper's "Satanstoe" Gray and black wash over graphite on heavy off-white woven paper Harvard University Art Museums Cambridge, MA | GA | Anonymous | |
 | Return of the Mayflower Gray wash with touches of red watercolor on off-white woven paper Harvard University Art Museums Cambridge, MA | GA | Anonymous |
- Felix Octavius Darley
