| Preview | Description | Notes | Content | Updated by |
|---|---|---|---|---|
 | Castle of San Juan de Vlua, Vera Cruz 1884 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Cliffs of the Upper Colorado River, Wyoming Territory 1882 Smithsonian American Art Museum Washington, D.C. |  when Indians rode there. Such vividly colored western scenes proved to be a bonanza for the Union Pacific's chief rival, the Northern Pacific Railroad. Jay Cooke, the Philadelphia financier who owned the Northern Pacific, kept Moran on retainer for several years, generating nostalgic images that helped to draw thousands of greenhorns out to the... | GA | Anonymous |
 | Excelsior Geyser, Yellowstone Park 1873 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Fort George Island, Florida 1878 Smithsonian American Art Museum Washington, D.C. | In 1877, Thomas Moran traveled with his wife to Fort George Island, Florida, and made small studies of the trees and beaches, images that were radically different from his sweeping vistas of Yellowstone. Within twenty years after this painting was created, the balmy coasts of South Carolina, Georgia, and Florida had become fashionable tourist... | GA | Anonymous |
 | From near Inspiration Point, Yellowstone Canyon 1892 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Heart Mountain from Camp, near Chapman's Ranch 1892 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Hook Pond and Old Bridge ca. 1880-1890 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Mammoth Hot Springs, Yellowstone 1872 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Mist in Kanab Canyon, Utah 1892 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Montauk 1880 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous |
- Thomas Moran
