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A Bazaar

ca 1880-1890
etching on silk mounted on paperboard
5 3/4 x 3 1/2 in. (14.5 x 8.9 cm)

Smithsonian American Art Museum

Washington, D.C.

 GAAnonymous
A Mexican Hacienda, Lake Cuitzeo

1885
oil on wood
15 1/2 x 12 3/4 in. (39.4 x 32.4 cm.)

Smithsonian American Art Museum

Washington, D.C.

 GAAnonymous
A Southerly Wind

ca. 1880-1890
etching and chine-colle on paperboard
4 1/2 x 7 in. (11.4 x 17.8 cm)

Smithsonian American Art Museum

Washington, D.C.

 GAAnonymous
A View of Venice

1891
oil on canvas
35 1/8 x 25 1/4 in. (89.2 x 64.1 cm.)

Smithsonian American Art Museum

Washington, D.C.

 GAAnonymous
Above the Lower Fall, Yellowstone

1892
pencil on paper
9 7/8 x 7 7/8 in. (25.1 x 20.0 cm

Smithsonian American Art Museum

Washington, D.C.

 GAAnonymous
Above Tower Falls, Yellowstone

1872
watercolor and gouache on paper
15 x 10 1/2 in. (38.1 x 26.7 cm)

Smithsonian American Art Museum

Washington, D.C.

 GAAnonymous
An Indian Girl

1880
etching on paper
8 5/8 x 6 3/8 in. (22.0 x 16.2 cm)

Smithsonian American Art Museum

Washington, D.C.

 GAAnonymous
Castle of San Juan de Vlua, Vera Cruz

1884
etching on parchment
11 5/8 x 10 1/8 in. (29.5 x 25.7 cm)

Smithsonian American Art Museum

Washington, D.C.

 GAAnonymous
Cliffs of the Upper Colorado River, Wyoming Territory

1882
oil on canvas
16 x 24 in. (40.5 x 61.0 cm.)

Smithsonian American Art Museum

Washington, D.C.

notes
when Indians rode there. Such vividly colored western scenes proved to be a bonanza for the Union Pacific's chief rival, the Northern Pacific Railroad. Jay Cooke, the Philadelphia financier who owned the Northern Pacific, kept Moran on retainer for several years, generating nostalgic images that helped to draw thousands of greenhorns out to the...
GAAnonymous
Excelsior Geyser, Yellowstone Park

1873
watercolor and pencil on paper
12 1/2 x 9 3/4 in. (31.9 x 24.8 cm)

Smithsonian American Art Museum

Washington, D.C.

 GAAnonymous
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