| Preview | Description
  | Notes | Content | Updated by |
|---|---|---|---|---|
 | Timothy Matlack 1802 National Gallery of Art Washington, D.C. | GA | Anonymous | |
 | The Roman Daughter 1811 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | The Marquis de Lafayette 1825 Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | The Court of Death 1820 Detroit Institute of Arts Detroit, MI | GA | Anonymous | |
 | Self Portrait 1828 Detroit Institute of Arts Detroit, MI | GA | Anonymous | |
 | Samuel Fisher Bradford 1803/08 Art Institute of Chicago Chicago, IL |  Publication History: Judith A. Barter et al, American Arts at The Art Institute of Chicago: From Colonial Times to World War I (Chicago: The Art Institute of Chicago, 1998), pp. 124-128, no. 51. | GA | Anonymous |
 | Rubens Peale with a Geranium 1801 National Gallery of Art Washington, D.C. | Rubens Peale with a Geranium is a supreme example of the unaffected naturalism which typified the artist's early maturity. Combining firm, clear drawing, carefully modulated color, and an intense devotion to detail, twenty-three-year-old Rembrandt Peale produced an eloquent expression of his family's philosophical orientation. | GA | Anonymous |
 | Residence of Lord Byron 1826 Art Institute of Chicago Chicago, IL | GA | Anonymous | |
 | Portrait of Rosalba Peale ca. 1820 Smithsonian American Art Museum Washington, D.C. | til she was sixty-two years old. In this portrait, made when she was in her early twenties, Rosalba's pensive expression conveys the alert mind and thoughtful conversation that won the admiration of others. | GA | Anonymous |
 | Portrait of Edward Shippen Burd of Philadelphia ca. 1806-1808 Smithsonian American Art Museum Washington, D.C. | forehead, the tip of his nose, and the corner of his chin accentuate his smooth and glowing complexion. Burd's alert gaze and upright posture convey the confidence of a young man whose future, at least at that point, looked bright. | GA | Anonymous |
- Rembrandt Peale
