| Preview | Description | Notes | Content | Updated by
  |
|---|---|---|---|---|
 | Abigail Inskeep Bradford 1803/08 Art Institute of Chicago Chicago, IL | GA | Anonymous | |
 | Residence of Lord Byron 1826 Art Institute of Chicago Chicago, IL | GA | Anonymous | |
 | Samuel Fisher Bradford 1803/08 Art Institute of Chicago Chicago, IL |  Publication History: Judith A. Barter et al, American Arts at The Art Institute of Chicago: From Colonial Times to World War I (Chicago: The Art Institute of Chicago, 1998), pp. 124-128, no. 51. | GA | Anonymous |
 | Porthole Portrait of George Washington 1795 Butler Institute of American Art Youngstown, OH | GA | Anonymous | |
 | Portrait of a Man c. 1800 Dallas Museum of Art Dallas, TX | The soft edges, neutral background, and cool tonality of this painting have recently led scholars of the Peale family to reattribute this work to Rembrandt Peale. Initially trained by his father, Rembrandt Peale developed a softer, more three-dimensional style, which this meditative portrait seems to display. | GA | Anonymous |
 | Self Portrait 1828 Detroit Institute of Arts Detroit, MI | GA | Anonymous | |
 | George Washington 1795 Detroit Institute of Arts Detroit, MI | GA | Anonymous | |
 | The Court of Death 1820 Detroit Institute of Arts Detroit, MI | GA | Anonymous | |
 | The Marquis de Lafayette 1825 Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | Michael Angelo and Emma Clara Peale ca. 1826 Metropolitan Museum of Art New York, NY | GA | Anonymous |
- Rembrandt Peale
