1883-1884

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Violet Sargent (Bench)

c. 1883
Watercolor
50.9 x 61.8 cm (20.04 x 24.33 in.)

Taft Museum of Art

Cincinnati, OH

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Violet Sargent

c.1883
Watercolor on paper
45.08 x 21.59 cm (17 3/4 x 8 1/2 in. )

Private Collection

Unknown, USA

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Unfinished copy of Madane X

1884
Oil on canvas
206.4 x 107.9 cm

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Thistles

c. 1883-1884
Oil on canvas
55.88 x 71.75 cm (22 x 28.25 in.)

Private Collection

Unknown, USA

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The Viscountess of Poilloue of Saint-Perier (1850-1897)

1883
Oil on canvas
131 x 94 cm

Musee d'Orsay

Paris, France

notes
Exhibitions La peinture américaine dans les collections du Musée du Louvre, Blérancourt, Musée national de la coopération franco-américaine, 14 mars - 30 septembre 1984; J. S. Sargent, Paris, Centre culturel américain, 1963, n°6. Bibliography J. S. Sargent, Paris, Centre culturel américain, 1963, cat., n°6, repr. pl....
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The Misses Vickers

1884
Oil on canvas
137.8 x 182.9 cm (54 1/4 x 72 in.)

notes
From left to right: Florence Evelyn "Evelyn" (18 years old), Mabel Frances (21 years old), and Clara Mildred "Mildred" (19 years old)   When Sargent showed the painting at the Paris Salon in May of '85, they snubbed it and called it "pseudo-Velasquez." When he showed it the following year in London at Royal Academy's exhibition of '86, it was...
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The Dinner Table

1884
Oil on canvas
51.4 x 66.7 cm (20 1/4 x 26 1/4 in.)

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The Breakfast Table

1884
Oil on canvas
21 1/4 x 17 3/4 in (Sight)

notes
From: Harvard The figure is Sargent's younger sister, Violet (later Mrs. Francis Ormond). The picture was almost certainly painted at the home of his parents in Nice. It appears on an easel beside Sargent's Madame Gautreau in a photograph of Sargent in his studio of 1884, in the Smithsonian Institution, Washington DC. Other alternate previous...
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Study for Madame X (Madame Pierre Gautreau)[2]

c. 1883
Pencil on paper
29.2 x 21 cm (11 1/2 x 8 1/4 in.)

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Study for Madame X (Madame Pierre Gautreau)[1]

c.1883
Pencil on paper
32.4 x 23.8 cm (12 3/4 x 9 3/8 in.)

Private Collection

Unknown, USA

notes
Madame X In all of Sargent's sketches of Madame Pierre Gauteau and it is believed to be over a dozen total, not one sketch that I've seen shows her engaging us directly. This was to be a very special portrait from the beginning and what we see here is Sargent struggling with the idea of her final pose within his general...
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