1883-1884

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Portrait of Madame Gautreau

1883
Watercolor on paper
35.5 x 25.2 cm

notes
Note: Bibliography Shawn Hill, "Sargent's Sketchy Characters", Bay Windows, June 17, 1999, reproduced in b/w, Arts section, p. 9 Martin Birnbaum, John Singer Sargent, January 12, 1856-April 15, 1925; a conversation piece (New York, NY, 1941), p. 62, repr. John Singer Sargent, His Own Work (New York, NY, 1980), in checklist,...
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Madame Gautreau Drinking a Toast

c. 1883
Oil on panel
32 x 42 cm (12 5/8 x 16 1/8 in.)

Isabella Stewart Gardner Museum

Boston, MA

notes
This painting has an interesting provenance. Sargent had dedicated it to Madame Gautreau's mother, Madame Anotole Avengno. Later it was bought by Dr. Pozzi, whom reportedly had an affair with Madame Gautreau. It would eventually be purchased by Isabella Stewart Gardner at the estate sale of Pozzi. Madame Pierre Gauteau (Study) ...
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Ellen Archer Eveleth Smith

1883
Oil on canvas
63.5 x 51.4 cm (25 x 20 1/4 in)

Portland Museum of Art

Portland, ME

notes
Sargent painted a portrait of Henry St. John Smith (1852-96) in 1880 three years prior to this one of his wife Ellen. Both paintings are now at the Portland Museum. Note: SIRIS # 80042572 
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Princess de Beaumont

c. 1884
Oil on canvas
65.4 x 50.5 cm (25 3/4 x 19 7/8 in.)

Private Collection

Unknown, USA

notes
Bibliography Ormond, Richard and Elaine Kilmurray, "John Singer Sargent: complete paintings; volume 1, The early portraits," New Haven, CT: Yale University Press, 1998, no. 107. Christie's Sale Francoise 6142 (May 30, 1986), lot 193. Van Wyk, Helen, 1975. Illustration:     Image on file. Ormond, Richard and Elaine Kilmurray, "John...
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The Breakfast Table

1884
Oil on canvas
21 1/4 x 17 3/4 in (Sight)

notes
From: Harvard The figure is Sargent's younger sister, Violet (later Mrs. Francis Ormond). The picture was almost certainly painted at the home of his parents in Nice. It appears on an easel beside Sargent's Madame Gautreau in a photograph of Sargent in his studio of 1884, in the Smithsonian Institution, Washington DC. Other alternate previous...
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Landscape View Near Nice

c. 1883-1884
Oil on canvas
59.1 x 71.8 cm (23 1/4 x 28 1/4 in.)

Private Collection

Unknown, USA

notes
From: Christies The landscape surrounding Nice is one of hills, canyons and rivers. Painted from 1883 to 1884, Landscape View Near Nice depicts a hilly town [I'm not sure it's a town, but at least a building] and superbly demonstrates John Singer Sargent's fresh and original approach to plein air painting. A rich mix of color, textures and...
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Auguste Rodin

1884
Oil on canvas
28 3/4 x 20 7/8 in.

notes
Auguste Rodin (French Sculptor, 1840-1917), the most recognized important sculptor of the nineteenth century. Born of a modest family and rejected by the dignified Ecole des Beaux-Arts, he was largely self taught. Working as an apprentice and with other sculptures he quickly established his own work.  Understanding his own vision pretty...
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Architectural Sketch of the Reform Club, London

possibly 1884
Graphite on off-white wove paper
17.2 x 10.9 cm., actual

notes
The Reform Club in London was started around the time of the Reform Bill (1830- 32). The members consisted of the Liberal members of the two Houses of Parliament and some distinguished members of the public. The club, itself was (and still is) located on the Pall Mall, between the Travellers' Club and the Canton Club. The building was built from...
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Madame X

1884
Oil on canvas
208.6 x 109.9 cm (82 1/8 x 43 1/4 in.)

Metropolitan Museum of Art

New York, NY

notes
When Madame X was shown at the Salon of 1884 it became instantly a salacious painting and a scandal in French society as a result of its sexual suggestiveness of her pose and the pail pasty color of her skin. The "X" of Madame X was actually Madame Gautreau (1859-1915) who’s  reputation was apparently destroyed and John left France shortly to...
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Mrs. Kate Moore

1884
Oil on canvas
181.9 x 116.2 cm (71 5/8 x 45 3/4 in)

notes
A millionairess from Pittsburgh, Mrs. Kate Moore (1846 -1917) became one of the leading figures in Paris high society especially among the expatiate Americans. She lavishly entertained. Sargent, no doubt was an invited guest to some. He would paint her a number of times. She was 38 at the time of this painting. Although certainly a good...
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