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Market Place

1890's
Watercolor, gouache, and graphite on white wove paper
25.3 x 35.4 cm (10 x 13 15/16 in.)

Metropolitan Museum of Art

New York, NY

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Egyptian Girl

1891
Oil on canvas
185.4 x 58.4 cm (73 x 23 in.)

notes
The nude Egyptian Girl, I believe, is the only female nude that Sargent did in oil. As the name implies, the painting was done in Egypt on his trip there to do research for the Boston Public Library murals. In some ways it harks back to the Velazquez's Venus at her Mirror. Like Sargent, this was Velazquez's only female nude and both men paint...
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Door of a Mosque

c. 1891
Oil on canvas
61.28 x 80.01 cm (24 1/8 x 31 1/2 in.)

Museum of Fine Arts

Boston, MA

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A Mosque, Cairo 1891

1891
Oil on canvas
14.1 x 18.7 in.

Private Collection

Unknown, USA

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A Mosque, Cairo

1891
Oil on canvas
44.45 x 66.04 cm (17.5 in x 26 in.)

Private Collection

Unknown, USA

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Sunset at Cairo

1891
Oil on canvas
62 x 75 cm (24.5 x 29.5 in.)

Private Collection

Unknown, USA

notes
Notes: The painting last sold through A.J. Kollar Fine Paintings -- per private correspondence with Colleen Zorn, of A.J. Kollar Fine Paintings, Tue, 26 Oct 2004 A.J. Kollar Fine Paintings, 1421 East Aloha Street, Seattle, Washington USA 98112 Tel :             (206) 323-2156       Fax: (206) 323-1835 Email: (co  ll...
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Constantinople

1891
Watercolor on paper
14.6 x 34.3 cm (5 3/4 x 13 1/2 in.)

Private Collection

Unknown, USA

notes
Don't foget this painting is only five inches high. And center-right, through the masts of the finsihing boats is the Hagia Sophia: See photos of Hogia Sophia (Santa Sofia)  
GAigrkio
Road in Constantinople

c. 1878
Oil on canvas
19 3/4 x 24 1/2 in.

Private Collection

Unknown, USA

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Santa Sofia

c. 1891
Oil on canvas
80 x 61.6 cm (31 1/2 x 24 1/4 in.)

Metropolitan Museum of Art

New York, NY

 GAigrkio
Interior of Hogia Sophia

1891
Oil on canvas
18" x ?

notes
From: Speed Art Museum According to an account published in 1925, Sargent bribed an official to gain access to Hagia Sophia. He made this sketch in the early morning, just as warm, golden light began to fill the space. Although he worked rapidly, Sargent still was able to capture perfectly the grandeur and mystery of the building’s expansive...
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Sketch of Santa Sofia

1891
Oil on canvas
80 x 61.6 cm (31 1/2 x 24 1/4 in.)

Metropolitan Museum of Art

New York, NY

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Temple of Denderah

1891
Unknown size

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Frieze of the Prophets (Study)

c. 1892
Oil on canvas
56.2 x 71.12 cm (22 1/8 x 28 in.)

Museum of Fine Arts

Boston, MA

notes
As John works at Morgan Hall (with Abbey) he toys with different conceptual ideas for his Library decorations. This particular Prophet study shows him wrestling with the arrangement. The demonstrative arms flailing upwards would indicate this was an early study for the "Despairing Profits" -- four in this case -- what would later become...
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Two heads for Boston mural - The Prophet (study)

Undated
Oil on Canvas
59.0 x 87.0 cm (23.2 x 34.3 in.)

Private Collection

Unknown, USA

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The Conversation, Portrait of Miss Elizabeth Lewis

1891
Pencil on paper
10 x 7.5 in.

notes
From: MBFA The work may have been executed at the Hotel Palumbo in Ravello, on the Amalfi Coast in Italy, where Sargent stayed with Edwin Austin Abbey and his wife for several weeks in July of 1891. The work depicts Miss Elizabeth Lewis (Lady Lewis) who was later painted by [Sargent] in 1892. Lady Lewis was the wife of Sir George Lewis. ...
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Henry Cabot Lodge

1890
Unknown size

notes
Lodge began his career in Congress in 1887, armed with all the confidence that his distinguished New England ancestry, Harvard education, and wide circle of influential friends could bestow. A power in the Senate and in the Republican Party, he was noted for his scorn of the alliance between big business and corrupt politicians. Close friends...
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La Carmencita

1890
Oil on Canvas
228.6 x 134.22 cm (90 x 54 1/4 in.)

Musee d'Orsay

Paris, France

notes
Carmencita was apparently an very interesting and colorful character, a highly spirited Spanish Gypsy Dancer who performed all over Europe and on the east coast of the United States. Sargent had first met her in 1889 in Paris. When he sees her again, this time in New York, he talks her into letting him paint her. She turned out to be a very...
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La Carmencita (2)

1890
Oil on canvas
54 x 35 cm (137.2 88.9 in.)

Private Collection

Unknown, USA

notes
La Carmencita  1890 Notes:   See the year in review  1890 Forum: From: Benjamin  <achi eveab  ilities@sbcglobal.net>  Date: December 23, 2003  Hi Natasha, First of all, I have been a frequent visitor of your site for some time now-if only one museum can hold all the Sargent paintings that are on...
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Homer Saint-Gaudens and his Mother

1890
Oil on canvas
151.8 x 142.2 cm (59 3/4 x 56 in.)

notes
Painted in a barrowed studio in New York on twenty-third street and Lexington Avenue, this portrait was done in exchange for the sculpted bronze that Saint-Gaudens was doing of John's sister. The two friends took great pleasure in each of their assignments. The unusual arrangement here begs only one explanation. Though it's not really explained...
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Julian Alden Weir

1890
Oil on canvas
64.8 x 54.6 cm (25 1/2 x 21 1/2 in.)

Private Collection

Unknown, USA

notes
J. Alden Weir with Sargent at Weir's farm Ridgefield, Connecticut  maybe 1919 Notes: Special thanks to Jim Perry, a friend of the JSS Gallery, for sending me the image of Sargent's painting. From: Jim Perry nomads 85  750@earthlink.net Date: Tue, 1 Feb 2005 One of my hobbies is a large database I've created with...
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Katherine Pratt

1890
Oil on canvas
101.6 x 76.20 cm (40 x 30 in.)

notes
Three-quarter-length seated portrait of Katharine Chase Pratt (1875-1942) wearing a white dress. Her left hand is on her hip and her right hand is on her chest with one finger playing with her beaded necklace. The backdrop consists of a landscape with a dark tree. Katherine Chase Pratt  1890 Note Exhibitions:    ...
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Katherine Chase Pratt

1890
Oil on canvas
101.6 x 76.53 cm (40 x 30.13 in.)

Worcester Art Museum

Worcester, MA

notes
Three-quarter-length portrait sketch of Katherine Chase Pratt (1875-1942) seated next to a hydrangea bush. She wears a white dress and leans her right arm on the back of the chair. Katherine Chase Pratt  1890 Note: Exhibitions:     Pennsylvania Academy of the Fine Arts Sixty Sixth Annual Exhibition, Pennsylvania Academy...
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Miss Grace Woodhouse

1890
Oil on canvas
162.9 x 94 cm (64 1/8 x 37 in.)

National Gallery of Art

Washington, D.C.

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Sally Fairchild (profile sketch), unfinished

1890
Oil on canvas
76.8 x 63.5 cm (30 1/4 x 25 in.)

notes
Note: Sold Sotheby's; 5/25/1988; Lot 162; $60,500 Date by Charles Merrill Mount list. The SIRIS has it dated 1887. References:     Ormond, Richard and Elaine Kilmurray, "John Singer Sargent: complete paintings; volume 1, The early portraits," New Haven, CT: Yale University Press, 1998, no. 203. McKibbin, David, "Sargent's Boston,"...
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Sally Fairchild with Blue Veil

1890
Oil
76.2 x 64.8 cm (30 x 25.5 in.)

notes
This painting is one of many which sargent painting of Sally Fairchild. this one is so wonderfully mysterious with the veil over her face. John was on very good terms with her parents and felt no restraints about being creative. He had known the family at least since 1887 when he did his first flurry of American paintings in the United States....
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George Washington Vanderbilt

1890
Oil on Canvas
106.6 x 67.3 cm (42 x 26 1/2 in.)

notes
This guy is a real interesting and eccentric character. He was a supporter of Sargent and commissioned a number of portraits, this being one of them. In many ways George Vanderbilt defined his generation of what Mark Twain would call the Gilded Age. From his inheritance from his parents he would set out to build the largest private home in the...
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Portrait of Gordon Fairchild

1890
Drawing chalk
137.16 x 101.6 cm (54 x 40 in.)

Private Collection

Unknown, USA

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Village Children

1890
Oil on canvas
63.5 x 76.2 cm (25 x 30 in.)

Yale University Art Gallery

New Haven, CT

 GAigrkio
Still Life with Daffodils

1890
Oil on canvas
81.28 x 45.72 cm (32 x 18 in.)

Yale University Art Gallery

New Haven, CT

 GAigrkio
Mrs. Augustus Hemenway

1890
Oil on canvas
77.5 x 64.2 cm (30 1/4 x 25 1/4 in.)

Private Collection

Unknown, USA

notes
Waist-length portrait of Mrs. Augustus Hemenway nee Harriet Dexter Lawrence (1858-1960) wearing a black dress and holding a white flower. (SIRIS) Note: Bibliography:     Ormond, Richard and Elaine Kilmurray, "John Singer Sargent: complete paintings; volume 2, Portraits of the 1890s," New Haven, CT: Yale University Press, 2002, no....
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Mrs. Peter Chardon Brooks (nee Sarah Lawrence)

1890
Oil on canvas
126.37 x 101.92 m (49 3/4 x 40 1/8 in)

Peabody Essex Museum

Salem, MA

notes
From: Antiques and Fine Art Mrs. Peter Chardon Brooks, whose maiden name was Sarah Lawrence, lived from 1845 to 1915. She was the daughter of Sarah Elizabeth Appleton and noted manufacturer and philanthropist Amos Adams Lawrence, for whose family the Massachusetts city of Lawrence is named. In 1890, Sargent painted this portrait of Mrs....
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Miss Eleanor Brooks (Mrs. Richard Middlecott Saltonstall)

1890
Oil on canvas
154.9 x 78.7 cm

Private Collection

Unknown, USA

notes
Miss Eleanor Brooks was painted in 1890   in West Medford, Massachusetts. At this time Sargent also painted a bust length likeness of Eleanor’s father Peter Chardon Brooks, and a large seated portrait of Eleanor’s mother Sarah (both in private collections). Sargent may have known members of the Brooks family prior to receiving...
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Mrs. Edward L Davis and her Son, Livingston Davis

1890
Oil on canvas
218.8 x 122.6 cm (86 1/8 x 48 1/4 in.)

notes
Mr. Edward L Davis was a former mayor of Worcester From L.A. County Museum of Art Sargent spent June of 1890 in Worcester, Massachusetts, executing what proved to be among the most important of numerous portrait commissions from New York and Boston clients. His subjects, the socially prominent Mrs. Edward Livingston Davis and her young son,...
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Opera Scene

1890
Monotype
31 x 58.5 cm

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Portrait of Benjamin Kissam

1890
Oil on canvas
31 1/2 x 25 1/2 in.

Private Collection

Unknown, USA

notes
From: Barridoff Galleries Estimate: $40000/60000 This portrait, which was shown at the Sargent Loan Exhibition at Copley Hall in Boston 1899 will be included in the forthcoming Volume II of the catalogue raisonné by Richard Ormond and Elaine Kilmurray in collaboration with Warren Adelson and Elizabeth Oustinoff. It has descended in the family...
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Joseph Jefferson as Peter Pangloss in George Colman, Jr's "the Heir-In-Law"

September 1, 1890
Oil on canvas
91.4 x 72.4 cm (36 x 28 1/2 in.)

notes
There are two additional paintings which Sargent did of Jefferson. One was a much smaller oil bust portrait (47 x 38 cm) which John kept in his collection until his death. A second was done of Jefferson as Rip Van Winkle and is curently in the collection of  University of Georgia, Georgia Museum of Art (SIRIS) Notes: Players Club, 16...
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Edwin Booth

1890
Oil on canvas
222.3 x 156.8 cm (87 1/2 x 61 3/4 in.)

notes
From:  F. Clason Kyle (c k  yle@knology.net) Date: Tue, 07 Sep 2004 I would very much like to see the portrait of Edwin Booth that Sargeant painted. It is in the Players [Club] in N.Y.. and Mr. Booth "played" the Springer Opera House here in Columbus in 1876. The Players Club at No. 16  Gramercy Park (1845). is located at the former home...
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Beatrice Goelet

1890
Oil on canvas
162.6 x 86.3 cm (64 x 34 in.)

Private Collection

Unknown, USA

notes
Note: References:     Ormond, Richard and Elaine Kilmurray, "John Singer Sargent: complete paintings; volume 2, Portraits of the 1890s," New Haven, CT: Yale University Press, 2002, no. 239. McKibbin, David, "Sargent's Boston," Boston, Museum of Fine Arts, 1956. Illustration:     Ormond, Richard and Elaine Kilmurray, "John Singer...
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Mrs. Hamilton McKown Twombly

1890
Oil on canvas
229 x 143.5 cm (90 1/8 x 56 1/2 in.)

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Self-Portrait, 1892

1892
Oil on canvas
53.3 x 43.2 cm (21 x 17 in.)

National Academy of Design

New York, NY

notes
Description:     Self-portrait of John Singer Sargent, his body turned to the left, and his head turned to face the viewer. He wears a light suit with a white shirt, dark tie, and a hat. (SIRIS) Notes: Bibliography:     National Academy of Design, 1971: Registration Records. Ormond, Richard and Elaine Kilmurray, "John Singer...
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Cottage at Fairford, Gloucestershire

1892
Watercolor on paper
9 x 12 in

Private Collection

Unknown, USA

notes
From: Adelson Galleries Date: Sun, 11 Aug 2002   Margaret Stickney, wife of the American artist William Sargeant Kendall and herself a weekend painter, was working on a watercolor outdoors in Fairford, Gloucestershire in 1892. According to the family lore, John Singer Sargent attempted to instruct Ms. Stickney. He took the watercolor from...
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A Country Road in Winter

1892
Oil
25.2 x 30 in.

Private Collection

Unknown, USA

notes
Charles Merrill Mount dated this painting and thinks it probably was done at Fairford Note: Sold at Christie's New York 11/29/2000; Lot 51; $415,000
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Mannikin in the Snow

c. 1891-93
Oil on canvas
25 x 30 in. (63.5 x 76.2 cm)

Metropolitan Museum of Art

New York, NY

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Portrait of Major George Conrad Roller

c. 1892?
Oil
16.5 x 17 in.

Private Collection

Unknown, USA

notes
Prophets: Zephaniah, Joel, Obadiah, Hosea (on West Wall) Boston Public Library Mural Sargent enlisted the help of a number of his friends to model for head studies for the Boston mural -- Frieze of Prophets. It was a fun thing for him to put the likeness of his friends in the murals. He had done it when he was painting...
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Head of a Bedouin

1892
20 x 17 in.

Private Collection

Unknown, USA

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Mrs George Lewis

1892
Oil on canvas
136 x 77.5 cm (53 1/2 x 30 1/2 in.)

Private Collection

Unknown, USA

 GAigrkio
John Alfred Parsons Millet

1892
Oil on canvas
36 1/4 x 24 1/8 in

notes
Frank Millet's youngest son named after two of his close friends: John Singer Sargent and Alfred Parsons.  Portrait of Laurence Millet 1887 (brother to John Alfred Parsons Millet) Notes: Exhibitions Exhibited August 26, 2001 at the Grand Rapids Art Museum. Great Expectations: John Singer Sargent Painting Children;...
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Miss Helena Dunham

1892
Oil on canvas
121.9 x 81.3 cm (48 x 32 in.)

Private Collection

Unknown, USA

 GAigrkio
Master Skein Keith

1892
Oil
30 X 26 in.

Private Collection

Unknown, USA

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Lady Agnew of Lochnaw

1892-93
Oil on canvas
124.5 x 99.7 cm (49 x 39 1/4 in.)

notes
In late 1892 John began work on the portrait of Lady Agnew, commissioned by Andrew Noel Agnew, a barrister who had inherited the baronetcy and estates of Lochnaw in Galloway. The sitter was to be of his young wife, Gertrude Vernon (1865-1932). The painting was done in a "high key" and carefully finished. "It is a careful portrait, free of any...
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Mrs. Hugh Hammersley

1892-93
Oil on canvas
205.7 x 114.9 cm (81 x 45 1/4 in.)

Metropolitan Museum of Art

New York, NY

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Mrs. Frederick Mead

c. 1893
Oil on canvas
67.9 x 51.8 cm (26 3/4 x 20 3/8 in.)

Yale University Art Gallery

New Haven, CT

notes
Waist-length seated portrait of Mrs. Frederick Mead (Mary Eliza Scribner 1822-1897) wearing a black dress and a purple cap. (SIRIS) Note: References:     Ormond, Richard and Elaine Kilmurray, "John Singer Sargent: complete paintings; volume 2, Portraits of the 1890s," New Haven, CT: Yale University Press, 2002, no. 294. "A checklist of...
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Mrs. John J. Chapman (Elizabeth "Bessie" Winthrop Chanler)

Gift of Chanler A. Chapman
Oil on canvas
125.4 x 102.9 cm (49 3/8 x 40 1/2 in)

notes
Bessie Chanler’s inner strength comes clearly through Sargent's portrait of this feminine, yet resilient woman. Although bred into a wealthy established American family, her life was not free of tragedy. She shouldered much of the responsibility for her seven younger siblings after her mother's early death; and after developing a decease of the...
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Hercules Brabazon Brabazon

1893
Oil on canvas
73.3 x 43.1 cm (28 7/8 x 17 in.)

National Portrait Gallery

Washington, D.C.

notes
Painted for Hercules himself by Sargent. Not sure if this was a gift or if Hercules commissioned it. Some seven years later he would paint him again which Sargent kept for his own collection. Hercules Brabazon 1900   Note: Dated by Charles Merrill Mount References:     Ormond, Richard and Elaine Kilmurray, "John...
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Miss Elsie Wagg

c. 1893
Oil on canvas
100.4 x 69.8 cm (39.53 x 27.48 in.)

Private Collection

Unknown, USA

 GAigrkio
Portrait of Louis Alexander Fagan

1893
Oil on canvas
77 x 64.2 cm (30.31 x 25.28 in.)

Private Collection

Unknown, USA

notes
Louis Alexander Fagan (1846-1903) became chief assistant to the department of Prints and Drawings at the British Museum under George William Reid and Sir Cidney Colvin respectively. He was hired in June 1869 by Sir Anthony Panizzi, the Chief Librarian of the British Museum Library and during his twenty-five year professional career he wrote...
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Portrait Sketch of a Seated Woman

c. 1890-1900
Pencil
14 x 10 in.

Corcoran Gallery of Art

Washington, D.C.

notes
Note:  The NYU Grey Gallery had an exhibition of this drawing, among others, August 31 – October 30, 1999 called "John Singer Sargent, Draughtsman: Works from the Corcoran Gallery of Art". The image online at NYU, I believe is inverted. Special thanks to Andy Holzopfel, of Baltimore, Maryland, a friend of the JSS Gallery, for sending me...
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Rowing Lake Como ( Bellagio)

c. 1890-1900
Pencil on paper
10 x 5.8 in

notes
Notes: My gratitude to Stephanie for letting me know about this painting on the net. As of 2/24/2002 it was offered for sale at Mark Borghi Fine Art Inc.
GAigrkio
Sketch of Boats on Lake Como

Graphite pencil on paper
19 x 27.8 cm (7 1/2 x 10 15/16 in.)

Museum of Fine Arts

Boston, MA

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Woman with Collie

1890's
Watercolor, gouache, and graphite on white wove paper
25.3 x 35.4 cm (10 x 13 15/16 in.)

Metropolitan Museum of Art

New York, NY

 GAigrkio
Eleanora Duse

c. 1893
Oil on canvas
58.5 x 48.2 cm (23 x 19 in.)

notes
Eleanora Duse (1859-1924) was the leading Italian actress whom had few peers -- including men. She nearly single handily transformed Italian theater with her astonishingly sophisticated interpretation of roles in contrast to the more stilted acting generally seen in that day. By 1892-93 she was at the top of her career and perfomaing on the world...
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Mrs. Graham Moore Robertson

1894
Oil on canvas
160.0 x 101.5 cm (63 x 40 in.)

Watts Gallery

Compton, Guildford, Surrey, England

notes
Three-quarter-length portrait of Mrs. Robertson , nee Marion Greatorex (d. 1907) seated on a sofa with her left arm resting on the sofa's arm and holding a handkerchief. A feather fan is on the sofa beside her. She wears a black dress with high collar and necklace. W. Graham Robertson 1894 (son to Mrs. Graham Moore Robertson) ...
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W. Graham Robertson

1894
Oil on canvas
230.5 x 118.7 cm (90-3/4 x 46-3/4 in.)

notes
W. (Walford) Graham Robertson (1866-1948) was a gentleman artist. Born in London from a wealthy family he eventually dabbled in many forms and styles starting from Pre-Raphaelite oils to illustrations, caricatures, to portraits, later impressionistic landscapes, as well as being a talented writer. He was deeply interested in the theater and by...
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Portrait of Lancelot Allen

1894
Oil on canvas
35 x 23 in.

Private Collection

Unknown, USA

 GAigrkio
Ada Rehan

1894-1895
Oil on canvas
53.7 x 43.2 cm (20 x 16 in.)

Metropolitan Museum of Art

New York, NY

notes
Ada Rehan, 1860-1916 an Irish born American actress. Her name was actually Ada Crehan, but took the stage name of Ada Rehan after being once mistakenly billed as such.  She was popular in comedy roles in New York theater, and played the leading woman of the Augustin Daly Stock Company with more than 200 different roles. She join John Drew's...
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Mrs. Ernest Hills

c. 1894
Oil
156.2 x 102.2 cm (61 1/2 x 40 1/4 in.)

notes
Three-quarter-length portrait of Mrs. Ernest Hills (Constance Malanie Wynne-Roberts) (d. 1932) standing with one hand holding a white feather fan and resting on the back of an armchair. She wears a black gown and cape with broad white lace panels. (SIRIS) Mrs. Ernest Hills c.1906   Note: References:    ...
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Alice Meynell (nee Thompson)

1894
Pencil
362 x 210 cm (14 1/4 x 8 1/4 in.)

National Portrait Gallery

Washington, D.C.

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Coventry Patmore

1894
Oil on canvas
91.4 x 61 cm (36 x 24 in.)

National Portrait Gallery

Washington, D.C.

notes
Subject: Who was Coventry Patmore  From: Philip Resheph phi  lip.res  heph@btinternet.com  Date: Thu, 22 Feb 2001  This was an article in today's Guardian (British respectable newspaper NOT owned by Rupert Murdoch) - I thought it might make a little addition to JSS's portrait of Coventry Patmore, to which the article refers. . . ....
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Mrs. Frederick William Roller

1895
Oil on canvas
223.52 x 113.03 cm (88 x 44 1/2 in)

Frye Art Museum

Seattle, WA

notes
From: Michael & Susan Roller  (r ol  lers@ukgateway.net)  Date: Thursday, March 4, 2004 As a quick introduction to the family relationship with Sargent, as we understand it, Mrs F W Roller [nee Eva Eyton].  Frederick William Roller himself [her husband] was a German immigrant to the UK and was naturalised in 1857.  He was an import...
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Etta Dunham

1895
Oil on canvas
100 x 80 cm (39 1/2 x 31 1/2 in.)

Fondazione Memmo

Rome, Italy

notes
Etta Dunham "mug"   Note: References:     Ormond, Richard and Elaine Kilmurray, "John Singer Sargent: complete paintings; volume 2, Portraits of the 1890s," New Haven, CT: Yale University Press, 2002, no. 321. McKibbin, David, "Sargent's Boston," Boston, Museum of Fine Arts, 1956. Illustration:    ...
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Etta Dunham (1)

1894
Charcoal on paper
23 x 18 1/2 in.

 GAigrkio
The Israelites Oppressed and Frieze of the Prophets (North End, lunette)

1895
Mural
Unknown size

Boston Public Library

Boston, MA

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Pagan Gods (Full Image 1)

1895
Oil on canvas with plaster, glass, and wood reliefs
1094 x 259 cm

Boston Public Library

Boston, MA

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Pagan Gods: Moloch (North End: Vaulting, Left side)

1895
Mural
Unknown size

Boston Public Library

Boston, MA

notes
"The central figure on the left of the ceiling arch is Moloch, god of material things, a hideous monster above whose bead stands the sun with rays reaching down to draw forth the earth's bounty." -- John Singer Sargent, 1916 (Sargent's Own Explanation on murals) Directly across from this is: Pagan Gods Astarte and head...
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Frieze of Prophets

Oil on canvas
211.5 x 1183 cm

Boston Public Library

Boston, MA

notes
In 1913, "The Prophets," were featured in the New York Times in an extensive spread The Israelites Oppressed  lunette and Frieze of the Prophets   (North End) General view of North End, Sargent Hall, Boston Public Library  
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Prophets: Zephaniah, Joel, Obadiah, Hosea (West Wall)

1895
Mural
Unknown size

Boston Public Library

Boston, MA

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Prophets: Amos, Nahum, Ezekiel, Daniel, Elijah (North Wall, left side of Moses)

1895
Mural
Unknown size

Boston Public Library

Boston, MA

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Moses (North Wall)

1895
Mural
Unknown size

Boston Public Library

Boston, MA

notes
Moses is presented a lot differently given his importance and is more traditional --  which means in a more Iconic –  more pre-Renaissance -- pre-Perspective sort of way. But he is the only Prophet that is a relief -- and that makes him, of course,  stand out. This dynamic of two-dimensional V. three-dimensional iconology really POPS...
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Prophets: Joshua, Jeremiah, Jonah, Isaiah, Habakkuk (North Wall, right side of Moses)

1895
Mural
Unknown size

Boston Public Library

Boston, MA

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Prophets: Micah, Haggai, Malacchi, Zecharia (North End, East Wall)

1890-95
Mural
Unknown size

Boston Public Library

Boston, MA

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Study of Drapery for Freize of the Prophets

c. 1892
Charcoal heightened with white chalk
24 3/8 x 18 11/16 in

Corcoran Gallery of Art

Washington, D.C.

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Study of Ezekiel for Frieze of the Prophets

c. 1891-92
Charcoal on paper
61 x 47.0 cm (24 x 18 7/8 in)

Corcoran Gallery of Art

Washington, D.C.

 GAigrkio
A. (Recto) Amos with Staff and Rope

1890-1895
Charcoal on paper
61 x 48.2 cm (24 x 19 in.)

Museum of Fine Arts

Boston, MA

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Study of a Young Man (Cloaked)

c. 1895
Transfer lithograph on paper
40.9 x 24.4 cm (16 1/8 x 9 5/8 in.)

Smithsonian American Art Museum

Washington, D.C.

 GAigrkio
Dr. Morton Prince

1890 or 1895
Oil on Canvas
68.58 x 55.88 cm (27 x 22 in)

Tufts University Gallery

Medford, MA

notes
From: Richard Sugden, PhD (Wikipedia, submission) Date: Mon, 8 Aug 2005 Morton Henry Prince (December 21, 1854 – August 31, 1929). American neurologist. Morton Prince was an American physican who specialized in neurology and abnormal psychology, and was leading force in establishing psychology as a clinical and academic discipline. He was...
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Two Men in Biblical Costume

c. 1895
Charcoal on blue laid paper
60.4 cm. x 46 cm., actual

notes
Notes: Exhibitions Sargent in the Studio: Drawings, Sketchbooks, and Oil Sketches, Harvard University Art Museums, Cambridge, 06/10/1999 - 09/05/1999 Bibliography Trevor Fairbrother, John Singer Sargent: the Sensualist (Seattle WA/New Haven CT, 2000), repr. as Folio 15, following p. 180 Trevor Fairbrother, "A Private Album: John Singer...
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Mrs. William Russell Cooke

1895
Oil on canvas
89 x 68.6 cm (35 x 27 in.)

Private Collection

Unknown, USA

notes
Waist-length portrait of Mrs. William Russell Cooke (1856-1914) standing before a crimson red backdrop with her hands folded. She wears a black dress with white lace collar, pendant, bracelet, and ring. (SIRIS) Note: References:     Ormond, Richard and Elaine Kilmurray, "John Singer Sargent: complete paintings; volume 2, Portraits of...
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Helen Sears

1895
Oil on canvas
167.3 x 91.4 cm (65 7/8 x 36 in.)

Museum of Fine Arts

Boston, MA

notes
17 years later Sargent draws her: Helen Sears  1912 See as it hung at the MFA, Boston May 27, 2002   Notes: Exhibitions Impressionism Abroad: Boston and French Painting: Royal Academy of Arts, London; Norton Museum of Art, Palm Beach, FL; 2005-2006
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"Expectancy": A Portrait of Frances Winifred Hill

c.1895
Oil on canvas
40.25 x 34 in.

Private Collection

Unknown, USA

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Richard Morris Hunt

1895
Oil on canvas
254 x 139.7 cm (100 x 55 in.)

Biltmore House

Asheville, NC

notes
Richard Morris Hunt (1828-1895) was an architect who is widely credited as the one of the fathers of American architecture. He started the first studio in America to formally train young architects in New York and took a prominent role in founding the American Institute of Architects, of which he became president in 1888. Much of his work is...
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Frederick Law Olmsted

1895
Oil on canvas
254 x 139.7 cm (100 x 55 in.)

Biltmore House

Asheville, NC

notes
"I have all my life been considering distant effects and sacrificing immediate success and applause to that of the future." -- Fredrick Law Olmsted Frederick Law Olmsted (1822-1903) is widely recognized as the founder of American landscape architecture and the nation's foremost parkmaker. His first, his most loved, and in many ways he's best...
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Angels, after a relief, Church of Los Jeronimos, Granada

1893-1916
Watercolor and graphite on heavy wove watercolor paper
43.1 cm. x 32.1 cm., actual

notes
From: Harvard Clear wax used as a resist to produce white highlights. The subject of this watercolor has been identified by Mary Crawford Volk (unpublished letter in the drawing department's curatorial files,16 July 1990) as a relief panel in the 16th-century "retablo" of the Church of Los Jer—nimos in Granada. According to the diary entry of...
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Street, Tangier

1895
Watercolor, gouache, and graphite on off-white wove paper
35.4 x 25.3 cm (13 15/16 x 9 15/16 in.)

Metropolitan Museum of Art

New York, NY

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Tangier

1895
Watercolor, gouache, and graphite on white wove paper
13 15/16 x 9 15/16 in. (35.4 x 25.2)

Metropolitan Museum of Art

New York, NY

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Mrs. Walter Bacon (Virginia Purdy Barker)

1896
Oil on canvas
207.3 x 97.2 cm (81 5/8/ x 38 1/4/ in.)

The Baltimore House

Asheville, NC

notes
She was a cousin to George Washington Vanderbilt, on her mother's side and she was painted at George's behest George Washington Vanderbilt 1890 (cousin to Mrs. Walter Bacon) George W. Vanderbilt's Country Chateau at Biltmore N.C. (1889-95) Notes: Special thanks to Todd from North Carolina, a friend of...
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Mrs. Carl Meyer and her Children

1896
Oil on canvas
209.9 x 135.9 cm (79 1/2 x 52 3/4 in.)

Private Collection

Unknown, USA

notes
Originally titled: Portrait of Mrs Carl Meyer (1) "Adele Meyer was the daughter of Julius Levis. She married in 1883 Carl Meyer (1851-1922), a Jewish banker, who was born in Hamburg but who became a naturalized British subject in 1877, and who was created a baronet in 1910. The Meyers' two children were Frank, who was born in 1886 and who...
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Portrait of Isabella Young (Mrs. Colin) Hunter

1896
Oil on canvas
37" x 24.5 in.

Utah Museum of Fine Arts

Salt Lake City, UT

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Mrs. Shakespeare

c. 1896
Oil on canvas
74.61 x 62.23 cm (29 3/8 x 24 1/2 in.)

Memorial Art Gallery of the University of Rochester

Rochester, NY

notes
Mrs. William Shakespeare née Louise Weiland (c. 1850-1911) Waist-length portrait of wearing a gown with leg-of-mutton sleeves.   Notes: 1) Charles Merrill Mount dates the work 1894,  Charteris dates it 1901 as does McKibbin. The style of the dress, however, point to a date prior to 1900. The musem dates the work...
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Countess Laura Spinola Nunez del Castillo

1896
Oil on Canvas
34.5 x 28.5 in.

Private Collection

Unknown, USA

notes
From: Wendy & Gordon Hawksley  gw @ wha wksley. fsnet.co. uk  Date: Sun, 11 Aug 2002   This painting is said to have been a wedding present from JSS to his childhood friend, Benjamin del Castillo.  From: Wilfredo Fernandez W Fe rn  andez@miami-airport.com Date: Dec 19, 2005 I am a member of the family of Benjamin Nunez del...
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Jean, Wife of Colonel Ian Hamilton

1896
Oil on canvas
130.2 x 92.1 cm

notes
From: The Tate Gallery Jean Miller, eldest daughter of Sir John Muir, 1st Baronet of Deanston, Perthshire, married Sir Ian Hamilton in 1887. She died in 1941. Lady Hamilton was noted for her beauty and accomplishments. (Tate Gallery) Notes: Exhibitions: R.A., 1896 (129); Copley Hall, Boston, February–March 1899 (23); 100th...
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