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Katherine Lewis

1906
Oil on canvas
88.3 x 72.4 cm (34 3/4 x 28 1/2 in.)

City Museum & Art Gallery, Congreve St.

Birmingham, UK

notes
Note: References:     Ormond, Richard and Elaine Kilmurray, "John Singer Sargent: complete paintings; volume 3, The later portraits," New Haven, CT: Yale University Press, 2003, no. 519. Gidley, M., "A Catalogue of American paintings in British Public Collections," [Exeter] University of Exeter, American Arts Documentation Centre,...
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Katherine Pratt

1890
Oil on canvas
101.6 x 76.20 cm (40 x 30 in.)

notes
Three-quarter-length seated portrait of Katharine Chase Pratt (1875-1942) wearing a white dress. Her left hand is on her hip and her right hand is on her chest with one finger playing with her beaded necklace. The backdrop consists of a landscape with a dark tree. Katherine Chase Pratt  1890 Note Exhibitions:    ...
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Kenneth Grahame

1912
Charcoal
Unknown size

Bodleian Library

Oxford, UK

notes
Kenneth Grahame (1859-1932) born in Edinburgh, he entered the Bank of England in 1879 and would become its Secretary in 1899. In his spare time, he wrote short stories and articles and would complete the novel  "The Wind in The Willows" in 1908, set in the idyllic English countryside. The work would established his international reputation as a...
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King Edward VII on his Death-Bed

1910
Charcoal on Paper
44 x 58.8 (17 5/8 x 23 1/8 in)

Collection of Her Majesty Queen Elizabeth II

London, UK

notes
King Edward VII (r. 1901-1910) was the eldest son of Queen Victoria. Born in 1841, he became king upon her death in 1901. He married Princess Alexandra (1844-1925) daughter of Christian IX of Denmark. Edward and Alexandra had five children who lived to grow up: 1) Prince Albert Victor, Duke of Clarence died in 1892 2) Prince George...
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King Philip IV (of Spain)

1879
Oil on canvas
63.5 x 45.72 cm (25 x 18 in.)

Museum of Fine Arts

Boston, MA

notes
The painting is a copy of Diego Velázquez's  "King Philip IV as a Huntsman" which is hanging at the Prado. It highlights Sargent's interest in studying Velázquez for use in his portraits. Sargent must have copied this work on one of his trips to Spain. The date is a guess by me but 1879 coincides with one of his trips to the Prado. ...
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Kneeling Model

1919?
Charcoal on paper
61 x 47 cm (24 x 18 1/2 in.)

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La Biancheria

1910
Transparent and opaque watercolor over graphite, with wax resist, on paper
40.3 x 52.7 cm (15 7/8 x 20 3/4 in.)

Museum of Fine Arts

Boston, MA

notes
From: Anne Lindsay aml inds  ay@altavista.com  Date: 8 Jun 2000 07:59:06 -0700 I saw this painting [La Biancheria] at a Brooklyn museum watercolor show about 2 years ago. . . I love [this painting] because it looks deceptively simple. He had to know exactly what he wanted and how to get there before he began. I think watercolor appears to...
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La Carmencita

1890
Oil on Canvas
228.6 x 134.22 cm (90 x 54 1/4 in.)

Musee d'Orsay

Paris, France

notes
Carmencita was apparently an very interesting and colorful character, a highly spirited Spanish Gypsy Dancer who performed all over Europe and on the east coast of the United States. Sargent had first met her in 1889 in Paris. When he sees her again, this time in New York, he talks her into letting him paint her. She turned out to be a very...
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La Carmencita (2)

1890
Oil on canvas
54 x 35 cm (137.2 88.9 in.)

Private Collection

Unknown, USA

notes
La Carmencita  1890 Notes:   See the year in review  1890 Forum: From: Benjamin  <achi eveab  ilities@sbcglobal.net>  Date: December 23, 2003  Hi Natasha, First of all, I have been a frequent visitor of your site for some time now-if only one museum can hold all the Sargent paintings that are on...
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Lady Agnew of Lochnaw

1892-93
Oil on canvas
124.5 x 99.7 cm (49 x 39 1/4 in.)

notes
In late 1892 John began work on the portrait of Lady Agnew, commissioned by Andrew Noel Agnew, a barrister who had inherited the baronetcy and estates of Lochnaw in Galloway. The sitter was to be of his young wife, Gertrude Vernon (1865-1932). The painting was done in a "high key" and carefully finished. "It is a careful portrait, free of any...
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