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Tents, Bailleul

1918
Watercolor over graphite pencil on paper
33.7 x 52.4 cm (13 1/4 x 20 5/8 in.)

Museum of Fine Arts

Boston, MA

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Terminal Statue, Rome

c. 1905-1907
Watercolor over graphite on white wove paper
52.2 x 38.3 cm

notes
Notes: Bibliography Catalogue of Pictures and Water Colour Drawings by J. S. Sargent. R. A., auct. cat., Christie, Manson and Woods (London, England, 1925), no. 9 John Singer Sargent, His Own Work (New York, NY, 1980), in checklist, unpaginated
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Terra Gosse

1885
Oil on canvas
63.5 x 48.3 cm (25 x 19 in.)

notes
Terra Gosse and her father, Edmund Gosse, was part of the Broadway colony. Notes: Exhibitions John Singer Sargent, An Exhibition -- Whitney Museum, NY & The Art Institute of Chicago 1986-1987 Sold Christie's; 12/4/92; Lot 6; $242,000
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Terrace and Gardens

1907
Watercolor, graphite, and wax on white wove paper
37.1 x 54 cm (14 5/8 x 21 1/4 in.)

Metropolitan Museum of Art

New York, NY

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Terrace at Vizcaya

1917
Watercolor and graphite on white wove paper
35 x 53.4 cm (13 3/4 x 21 in.)

Metropolitan Museum of Art

New York, NY

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Terragona

c. 1908
Watercolor, gouache and graphite on paper mounted on board
19 1/2 x 13 7/8 inches

New Britain Museum of American Art

New Britain, CT

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The Archbishop of Canterbury (Randall Thomas Davidson)

1910
Oil on canvas
130.8 x 105.4 cm (51.5 x 41.5 in.)

Lambeth Palace

London, UK

notes
Randall Thomas Davidson, 1st Baron Davidson of Lambeth, KCVO (April 7, 1848 – May 25, 1930) was an Anglican clergyman of Scottish origin who served as Archbishop of Canterbury from 1903 to 1928. He played a major part in the funeral ceremonies for Queen Victoria in 1901, taking care, along with Dr. James Reid, of the wake at Osborne House,...
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The Artist Sketching

1922
Oil on canvas
55.9 x 71.1 cm (22 x 28 in.)

Private collection on loan to the Museum of Art Rhode Island School of Design

Providence, RI

notes
I have been told that Edith was the photographer of the photo of Sargent on Dwight's yacht [Thumbnail]. Note that Sargent, who always like to paint under a large parasol/umbrella, had no place to put the parasol on board the boat, so he tied it to his leg, with supporting stays to various parts of the boat. Several of those lines are visible in...
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The Bathers

1917
Watercolor and gouche over graphite
15 3/4 x 20 3/4 in.

Worcester Art Museum

Worcester, MA

notes
The watercolors that Sargent did in Florida show similarities in subject and compositions to that of Homer in his Florida, Bermuda, and the Caribbean trips. Winslow Homer  The Turtle Pound  1898  Watercolor over graphite  14 15/16 x 21 3/8 in. (38 x 54.3 cm)  Brooklyn Museum, New York    
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The Bead Stringers of Venice

1880-82
Oil on canvas laid on board
56.2 x 81.9 cm (22 1/8 x 32 1/4 in.)

notes
The painting, an unfinished sketch, shows bead stringers assembling the beads as they sit outside in a small alley or corridor. The two nearest women face an open door, possibly a bead shop similar to what Sargent painted in Venetian Glass Workers (thumbnail). Apparently whatever he was planning for the doorway, he grew frustrated and scraped, or...
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