素人おっぱいコピー。2004 史上NO.1最高にかわいい娘ばかりです編
Artists
| Name | Info | Years | Updated by | Date
  |
|---|---|---|---|---|
| Lane, Fitz Hugh | 
Fitz Henry
Lane (born Nathaniel Rogers Lane, also known as Fitz Hugh Lane) (December 19,
1804 – August 14, 1865) was an American painter and printmaker of a style
that would later be called Luminism, for its use of
pervasive light.
Biography
Fitz Henry
Lane was born on December 19, 1804, in Gloucester, Massachusetts. Lane was... | 1804 - 1865 | Anonymous | 06/04/2012 |
| Audubon, John James |
John James
Audubon (Jean-Jacques Audubon) (April 26, 1785 – January 27, 1851) was a
French-American ornithologist, naturalist, and painter. He was notable for his
expansive studies to document all types of American birds and for his detailed
illustrations that depicted the birds in their natural habitats. His major
work, a color-plate book... | 1785 - 1851 | Anonymous | 07/23/2012 |
| Dearth, Henry Golden |
Henry
Golden Dearth (22 April 1864 – 27 March 1918) was a distinguished
American painter[1] who studied in Paris and continued
to spend his summers in France painting in the Normandy region. He would return
to New York in winter, and became known for his moody paintings of the Long
Island area. Around 1912, Dearth changed his artistic style, and... | 1864 - 1918 | Anonymous | 07/27/2012 |
| Ranger, Henry Ward |
Henry Ward
Ranger (January 29, 1858 – November 7, 1916 ), American artist, was born
in western New York State. He became a prominent landscape and marine painter,
much of his work being done in the Netherlands, and showing the influence of
the modern Dutch school. He became a National Academician (1906), and a member
of the American Water Color... | 1858 - 1916 | Anonymous | 11/14/2012 |
Artwork
| Preview | Description | Notes | Content | Updated by
|
|---|---|---|---|---|
 | Landscape No. 3, Cash Entry Mines, New Mexico by Marsden Hartley 1920 Art Institute of Chicago Chicago, IL | GA | Anonymous | |
 | Painting No. 48 by Marsden Hartley 1913 Brooklyn Museum New York, NY | angement of abstract, geometric forms. The numeral 8 appears prominently in the composition and seems to explode into the foreground. According to the artist, the picture represents the mystical embodiment of "eight," a number generally associated with spiritual transcendence. Although Hartley offered no additional explanation, hints of his... | GA | Anonymous |
 | Fair Exchange, No Robbery by William Sidney Mount 1865 The Long Island Museum of American Art Stony Brook, NY | GA | Anonymous | |
 | American Farm Scenes, No. 3 [from American Farm Scenes, Set Of 4 Seasonal Views] by Frances Flora Palmer 1853 Spencer Museum of Art at the University of Kansas Lawrence, KS | GA | Anonymous | |
 | The American Merchantman Calliance Hove-to To Take On A Pilot, The New York Pilot Cutter "No. 1" Lying Off Her Port Bow by Joseph B. Smith oil on canvas Private Collection Unknown, USA | Unrated | Anonymous | |
 | Dessert No. 6 by Carducius Plantagenet Ream oil on canvas Boston Public Library Boston, MA | Unrated | Anonymous | |
 | Dessert No. 3 by Carducius Plantagenet Ream oil on canvas Boston Public Library Boston, MA | Unrated | Anonymous | |
 | Dessert No. 4 by Carducius Plantagenet Ream oil on canvas Boston Public Library Boston, MA | Unrated | Anonymous | |
 | Pretty Mother Of The Nightwhite Otter Is No Longer A Boy by Frederic Remington ca. 1900 Private Collection Unknown, USA | Not long after seeing the Peters exhibition, Remington completed two nocturnes of his own. Both were intended to serve as illustrations for a novel he had recently written titled The Way of an Indian. Both were also transitional works, for they were dependent upon text for their full meaning. In the more striking of the two images, "Pretty Mother of... | Unrated | Anonymous |
 | Three Views, No. 1: Mount Washington From Shelburn, New Hampshire by John Henry Hill Watercolor and graphite on off-white woven paper Metropolitan Museum of Art New York, NY | Unrated | Anonymous |
