PreviewDescriptionArtistNotes
Porthole Portrait of George Washington

by Rembrandt Peale

1795
oil on canvas
36 X 29" (91.44 x 73.66 cm.)

Butler Institute of American Art

Youngstown, OH

Peale, Rembrandt 
Spring Landscape, Giverny

by Willard Leroy Metcalf

1887
oil on canvas
19 1/2 X 25 1/4" (49.53 x 65.40 cm.)

Butler Institute of American Art

Youngstown, OH

Metcalf, Willard Leroy 
Perfectly Happy

by John George Brown

1885
Watercolor on paper
20 x 13" (50.80 X 33.02 cm.)

Butler Institute of American Art

Youngstown, OH

Brown, John Georgenotes
In Perfectly Happy, John George Brown depicted his favorite subject, the city shoeshine boy, clearly recognizable by his blacking box and brushes.
Manhattan's Misty Sunset

by Frederick Childe Hassam

1911
oil on canvas
18 X 32" (45.72 x 81.28 cm.)

Butler Institute of American Art

Youngstown, OH

Hassam, Frederick Childenotes
Childe Hassam was the premier Impressionist painter of New York City. From 1890 through World War I he painted its fashionable boulevards, genteel park lanes, festive military parades, new neighborhoods, and occasionally, as in Manhattan's Misty Sunset, the new skyline that was prompting many to call New York the eighth wonder of the world
Still Life with Fruit

by John F. Francis

oil on canvas
23 1/4 X 50" (59.06 x 76.20 cm.)

Butler Institute of American Art

Youngstown, OH

Francis, John F.notes
ves and enlivened by a white napkin. A saturate amber light floods the picture from the left, picking out Francis's typical blue-white highlights and casting strong, dark shadows which further unify the solid geometry of the fruit. The subdued, neutral background plane, set off from a landscape vignette by a vine-hung classic column, was a common...
My Garden

by Gari Melchers

1900-03
oil on canvas
41 X 40" (104.14 x 101. 60 cm.)

Butler Institute of American Art

Youngstown, OH

Melchers, Garinotes
My Garden was painted at George Hitchcock's home, "Schuylenburg," in Egmond aan den Hoef, one of three Dutch villages clustered along the North Sea shore that share the name of Egmond
Portrait Of Mr. Thomas Russell

by Charles Willson Peale

c. 1784
oil on canvas
30 1/4 X 25 1/4" (76.84 x 64.14 cm.)

Butler Institute of American Art

Youngstown, OH

Peale, Charles Willsonnotes
Thomas Russell (1741-1786) ordered two pairs of portraits of himself and his wife, nee Ann Thomas (b. 1751), during a trip to Philadelphia from Cecil County, Maryland around 1784. At that time, Peale, his patron's exact contemporary, dominated the local portrait market. Because the Russells enjoyed greater financial and material prosperity in the...
Portrait Of Mrs. Thomas Russell

by Charles Willson Peale

c. 1784
oil on canvas
30 1/4 X 25 1/4" (76.84 x 64.14 cm.)

Butler Institute of American Art

Youngstown, OH

Peale, Charles Willsonnotes
Thomas Russell (1741-1786) ordered two pairs of portraits of himself and his wife, nee Ann Thomas (b. 1751), during a trip to Philadelphia from Cecil County, Maryland around 1784. At that time, Peale, his patron's exact contemporary, dominated the local portrait market. Because the Russells enjoyed greater financial and material prosperity in the...
Portrait Of Catherine Ten Broeck

by Nehemiah Partridge

1719
oil on canvas
32 X 48" (81.28 x 121.92 cm.)

Butler Institute of American Art

Youngstown, OH

Partridge, Nehemiah 
Sylvia

by William McGregor Paxton

1908
oil on canvas
49 X 39 1/2" (124.46 x 100-33 cm.)

Butler Institute of American Art

Youngstown, OH

Paxton, William McGregornotes
Not all of Paxton's work was divided between commissioned portraits and domestic interiors with subtle narrative elements. Paxton often chose to paint figural studies of beautiful models, deftly posed within shallow studio settings. Sylvia epitomizes this genre, in which Paxton placed the model's arms and hands into an unusual-yet still graceful...
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