| Preview | Description
  | Artist | Notes |
|---|---|---|---|
 | Portrait Of Catherine Ten Broeck by Nehemiah Partridge 1719 Butler Institute of American Art Youngstown, OH | Partridge, Nehemiah | |
 | Portrait Of Mr. Daniel Rea by Joseph Badger c. 1757 Butler Institute of American Art Youngstown, OH | Badger, Joseph |  This portrait by Joseph Badger is one of a pair of paintings that unassumingly marks a turning point in American painting, one not particularly beneficial to the artist. Painted when Badger was forty-nine, the portrait serves as a pendant to one of Reds wife painted at the same time by John Singleton Copley. The execution of pendant portraits by... |
 | Portrait Of Mr. Thomas Russell by Charles Willson Peale c. 1784 Butler Institute of American Art Youngstown, OH | Peale, Charles Willson | Thomas Russell (1741-1786) ordered two pairs of portraits of himself and his wife, nee Ann Thomas (b. 1751), during a trip to Philadelphia from Cecil County, Maryland around 1784. At that time, Peale, his patron's exact contemporary, dominated the local portrait market. Because the Russells enjoyed greater financial and material prosperity in the... |
 | Portrait Of Mrs. Thomas Russell by Charles Willson Peale c. 1784 Butler Institute of American Art Youngstown, OH | Peale, Charles Willson | Thomas Russell (1741-1786) ordered two pairs of portraits of himself and his wife, nee Ann Thomas (b. 1751), during a trip to Philadelphia from Cecil County, Maryland around 1784. At that time, Peale, his patron's exact contemporary, dominated the local portrait market. Because the Russells enjoyed greater financial and material prosperity in the... |
 | Red and Gold by Frank Weston Benson 1915. Butler Institute of American Art Youngstown, OH | Benson, Frank Weston | |
 | Roadside Meeting by Albert Pinkham Ryder oil on canvas Butler Institute of American Art Youngstown, OH | Ryder, Albert Pinkham | Roadside Meeting appears to have been adapted from a scene in Sir Walter Scott's novel The Monastery, written in 1820, and set in Scotland at the close of the sixteenth- century religious wars with England |
 | Sailing (The Hudson at Tappan Zee) by Jasper Francis Cropsey 1883 Butler Institute of American Art Youngstown, OH | Cropsey, Jasper Francis | ible through the thin paint. These sketchy strokes, many of which are not part of the final design, give a somewhat unfinished, rough vitality to the work. |
 | Saint Nicholas by Robert W. Weir 1838 Butler Institute of American Art Youngstown, OH | Weir, Robert W. | |
 | Ship Starlight by Fitz Hugh Lane c. 1860 Butler Institute of American Art Youngstown, OH | Lane, Fitz Hugh | A painter of ships and marine views for all of his life, Fitz Hugh Lane has created, in Ship Starlight, one of the magical images of his late career |
 | Ship: Valparaiso by James E. Buttersworth c. 1855 Butler Institute of American Art Youngstown, OH | Buttersworth, James E. | version, also Ship: Valparaiso (n.d., private collection), differ only in minor details-the placement of the gulls, the handling of the water and sky, and the treatment of the ship's reflection in the water. |
- Butler Institute of American Art
