PreviewDescriptionArtist
Notes
William Winston Seaton

by Joseph Wood

1822
Oil on paper
22.2cm x 16.5cm (8 3/4" x 6 1/2")

Smithsonian Institution

New York, NY

Wood, Josephnotes
Description: Portrait of William Winston Seaton standing with his body turned to the right, his head turned to face the viewer, his right hand resting in the pocket of his pants, and his left hand inserted into the front of his jacket. He wears a dark jacket with a white vest and shirt.
Lewis Morris

by John Wollaston

ca. 1750
oil on canvas
30 x 25 in.

Smithsonian Institution

New York, NY

Wollaston, Johnnotes
Description: Portrait of Lewis Morris standing with his body turned to the right and his head turned to face the viewer. He wears a dark jacket and a light vest with a white shirt.
Abraham Lincoln

by William Willard

1864
Oil on canvas
61cm x 50.8cm (24" x 20")

Smithsonian Institution

New York, NY

Willard, William 
Thomas B. Clarke

by Charles Frederick Ulrich

1884
Oil on panel
19 3/4 x 17 in.

Smithsonian Institution

New York, NY

Ulrich, Charles Fredericknotes
Thomas B. Clarke, a lace and linen manufacturer in New York, began buying works of art in 1872. Within a decade he became this country's foremost collector of contemporary American art. Clarke was influential in myriad aspects of the New York art world, for he was treasurer of the National Society of Arts, chair of the Union League Club's art...
William Wirt

by Cephas Thompson

c. 1809-1810
oil on canvas
Frame: 107 x 90.2 x 8.9cm (42 1/8 x 35 1/2 x 3 1/2")

Smithsonian Institution

New York, NY

Thompson, Cephasnotes
Description: Portrait of William Wirt wearing a classical drapery, his body facing almost forward, his head turned slightly to the right, and his gaze directed off to the right.
Elizabeth Washington Gamble Wirt

by Cephas Thompson

c. 1809-1810
oil on canvas
Frame: 111.1 x 94.6 x 6.4cm (43 3/4 x 37 1/4 x 2 1/2")

Smithsonian Institution

New York, NY

Thompson, Cephasnotes
Description: Portrait of Elizabeth Washington Gamble Wirt seated with her body turned to the left, her head slightly tilted, and her gaze directed down. She wears a white Empire-waist dress with short sleeves. Her dark hair is swept back from her face with ringlets falling across her forehead.
Charles Lee

by Cephas Thompson

c. 1810-1811
oil on canvas
70cm x 57cm (27 9/16" x 22 7/16")

Smithsonian Institution

New York, NY

Thompson, Cephas 
A Virgin

by Abbott Handerson Thayer

1892-1893
oil on canvas
229.7 x 182.5 cm.

Smithsonian Institution

New York, NY

Thayer, Abbott Handerson 
The Silver Goblet (Lucy May Stanton Self-Portrait)

by Lucy May Stanton

1912
Watercolor on ivory
Ivory: 13.7 x 9.5cm (5 3/8 x 3 3/4") Frame: 24.6 x 27.9 x 3.2cm (9 11/16 x 11 x 1 1/4"), Accurate

Smithsonian Institution

New York, NY

Stanton, Lucy Maynotes
Lucy May Stanton was best known for her impressionistic watercolor-on-ivory portrait miniatures. She lived mostly in Georgia, but studied art in Paris around the turn of the century. An advocate for womans suffrage, Stanton was also well known in the art centers of New York, Philadelphia, and Boston. She presents herself in this large-scale portrait,...
Joel Chandler Harris

by Lucy May Stanton

c. 1914
Watercolor on ivory
Ivory: 17.8 x 12.7cm (7 x 5"), Accurate Frame: 33.7 x 28.6cm (13 1/4 x 11 1/4")

Smithsonian Institution

New York, NY

Stanton, Lucy Maynotes
Joel Chandler Harris, a journalist, humorist, and author of the Uncle Remus stories, lived across the street in Atlanta, Georgia, from Lucy May Stanton when she was a child. She often sat on his knee, listening to his animal stories. When she first asked to paint him in 1906, he queried her desire to paint an old buzzard like me. This is a second,...
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