PreviewDescriptionArtistNotes
End of Winter

by John Henry Twachtman

after 1889
oil on canvas
22 x 30 in. (55.8 x 76.3 cm)

Smithsonian American Art Museum

Washington, D.C.

Twachtman, John Henrynotes
Twachtman drew inspiration from his seventeen acres of land in Greenwich, Connecticut, and his paintings of the property express the emotional and spiritual comfort he found there. This image describes the beginning of the seasonal transition from winter to spring. Twachtman depicted bare trees and an icy, swollen brook, but allowed the brown primed...
Figure in Sunlight (Artist's Wife)

by John Henry Twachtman

ca. 1890-1900
oil on canvas
26 1/8 x 21 1/4 in. (66.4 x 53.9 cm)

Smithsonian American Art Museum

Washington, D.C.

Twachtman, John Henrynotes
ly. The blurred outlines and rich yellows and greens of the background evoke the warm, hazy atmosphere of a summer day.
Fishing Boats at Gloucester

by John Henry Twachtman

1901
oil on canvas
25 1/8 x 30 1/4 in. (63.7 x 76.7 cm.)

Smithsonian American Art Museum

Washington, D.C.

Twachtman, John Henry 
Flowers

by John Henry Twachtman

ca. 1900
pastel on paper
19 x 15 1/4 in. (48.3 x 38.7 cm)

Smithsonian American Art Museum

Washington, D.C.

Twachtman, John Henry 
Study for the Old House of Representatives

by Samuel F.B. Morse

ca. 1821
oil on panel
8 1/4 x 13 3/4 in. (20.9 x 35.0 cm.)

Smithsonian American Art Museum

Washington, D.C.

Morse, Samuel F.B. 
Haystacks at Edge of Woods

by John Henry Twachtman

ca. 1895
pastel on paperboard
9 5/8 x 14 1/8 in. (24.4 x 35.9 cm)

Smithsonian American Art Museum

Washington, D.C.

Twachtman, John Henry 
The Goldfish Bowl (Mrs. Richard Cary Morse and Family)

by Samuel F.B. Morse

ca. 1835
oil on wood
29 5/8 x 24 3/4 in. (75.3 x 63 cm)

Smithsonian American Art Museum

Washington, D.C.

Morse, Samuel F.B. 
Hemlock Pool

by John Henry Twachtman

ca. 1890-1900
oil on canvas
22 1/4 x 30 1/4 in. (56.5 x 76.7 cm)

Smithsonian American Art Museum

Washington, D.C.

Twachtman, John Henrynotes
John Twachtman painted this scene in all different seasons. He drew inspiration from his seventeen acres of land in Greenwich, Connecticut, and his paintings of the property express the emotional and spiritual comfort he found there. This image, likely made in autumn, shows a pond located behind his house at the bottom of a steep incline along the...
Buffalo Scene

by Emil W. Lenders

1922
oil on canvas
60 x 40 in. (152.4 x 101.6 cm)

Smithsonian American Art Museum

Washington, D.C.

Lenders, Emil W. 
Old Pagoda

by John La Farge

1890
wood engraving on paper
5 x 4 in. (12.8 x 10.1 cm)

Smithsonian American Art Museum

Washington, D.C.

La Farge, John 
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