| Preview | Description | Artist
  | Notes |
|---|---|---|---|
 | Landscape by Julian Alden Weir after 1900 Smithsonian American Art Museum Washington, D.C. | Weir, Julian Alden |  identified with her. (Cummings, "Home Is the Starting Place: J. Alden Weir and the Spirit of Place," J. Alden Weir: A Place of His Own, 1991). Perhaps the ghostly figure in the foreground is meant to suggest his wife's spirit dwelling under the trees. |
 | A Gentlewoman by Julian Alden Weir 1906 Smithsonian American Art Museum Washington, D.C. | Weir, Julian Alden | h feelings, artists created images like these of quiet interior scenes, a visually soothing antidote to an unquiet age. |
 | At the Water Trough by Julian Alden Weir 1876-1877 Smithsonian American Art Museum Washington, D.C. | Weir, Julian Alden | |
 | Children Burying a Bird by Julian Alden Weir 1878 Smithsonian American Art Museum Washington, D.C. | Weir, Julian Alden | |
 | Hunter and Dogs by Julian Alden Weir oil on canvas Smithsonian American Art Museum Washington, D.C. | Weir, Julian Alden | |
 | Portrait of a Lady with a Dog (Anna Baker Weir) by Julian Alden Weir ca. 1890 Smithsonian American Art Museum Washington, D.C. | Weir, Julian Alden | |
 | Portrait of Wyatt Eaton by Julian Alden Weir ca. 1878 Smithsonian American Art Museum Washington, D.C. | Weir, Julian Alden | |
 | The Open Book by Julian Alden Weir 1891 Smithsonian American Art Museum Washington, D.C. | Weir, Julian Alden | |
 | Upland Pasture by Julian Alden Weir ca. 1905 Smithsonian American Art Museum Washington, D.C. | Weir, Julian Alden | |
 | Moses Viewing The Promised Land by Robert W. Weir ca. 1860-1865 Smithsonian American Art Museum Washington, D.C. | Weir, Robert W. |
- Smithsonian American Art Museum
