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ArtistNotes
Samuel Love, Jr.

by Robert Field

1800
watercolor on ivory
sight 2 7/8 x 2 3/8 in. (7.3 x 5.9 cm) oval

Smithsonian American Art Museum

Washington, D.C.

Field, Robertnotes
This miniature of Samuel Love Jr. (1755?-1800), a member of the landed gentry in Virginia, was bequeathed to the Museum by the sitters great-great-grandson. Love was born in Charles County, Maryland, and grew up at Salisbury Plantation in Loudoun County, Virginia. His likeness was painted in the artists Washington, D.C., studio in 1800, the year of...
Samuel Warren Holland, Aged Two Years

by Milton W. Hopkins

19th century
oil on wood panel
26 1/8 x 22 1/8 in. (66.5 x 56.1 cm)

Smithsonian American Art Museum

Washington, D.C.

Hopkins, Milton W. 
Sand Dunes, Harlech, North Wales

by George Elbert Burr

1899
watercolor on paper
sheet: 5 1/2 x 8 7/8 in. (14.0 x 22.5 cm)

Smithsonian American Art Museum

Washington, D.C.

Burr, George Elbert 
Sara in a Green Bonnet

by Mary Cassatt

ca. 1901
oil on canvas
16 1/2 x 13 5/8 in. (42.0 x 34.5 cm.)

Smithsonian American Art Museum

Washington, D.C.

Cassatt, Mary 
Sarah A. Stevens

by James Bard

1873
watercolor on paperboard
sheet: 25 x 39 1/2 in. (63.5 x 100.4 cm)

Smithsonian American Art Museum

Washington, D.C.

Bard, James 
Sarah Sommer Sims

by Robert Street

1838
oil on canvas
30 1/4 x 25 1/8 in. (76.8 x 63.8 cm.)

Smithsonian American Art Museum

Washington, D.C.

Street, Robert 
Sardine Fleet

by George Elmer Browne

Drypoint on paper
plate: 10 1/8 x 12 in. (25.7 x 30.6 cm)

Smithsonian American Art Museum

Washington, D.C.

Browne, George Elmer 
Saul And The Witch Of Endor

by William Sidney Mount

1828
oil on canvas
36 x 48 in. (91.3 x 122.0 cm)

Smithsonian American Art Museum

Washington, D.C.

Mount, William Sidney 
Scene On The Hudson (Rip Van Winkle)

by James Hamilton

1845
oil on canvas
38 x 57 1/8 in. (96.6 x 145.1 cm)

Smithsonian American Art Museum

Washington, D.C.

Hamilton, Jamesnotes
Hamilton's painting combines several scenes from Washington Irving's short story. The hazy river valley beyond the trees evokes the Catskills, where Rip Van Winkle looked out over the Hudson River "moving on its silent but majestic course." Beneath the cavernous rock, several men enjoy a game of ninepins while Rip drinks the brew that will make him...
Scotch Highlands

by Robert Scott Duncanson

ca. 1848-1852
oil on canvas
27 1/4 x 42 1/4 in. (69.2 x 107.3 cm.)

Smithsonian American Art Museum

Washington, D.C.

Duncanson, Robert Scott 
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