PreviewDescriptionArtistNotes
A General View of the Falls of Niagara

by Alvan Fisher

1820
oil on canvas
34 3/8 x 48 1/8 in. (87.2 x 122.3 cm.)

Smithsonian American Art Museum

Washington, D.C.

Fisher, Alvan 
Mountains in Colorado

by John Frederick Kensett

1870
oil on paper mounted on paperboard
10 1/4 x 14 in. (25.9 x 35.7 cm)

Smithsonian American Art Museum

Washington, D.C.

Kensett, John Frederick 
The Great Horseshoe Fall, Niagara

by Alvan Fisher

1820
oil on canvas
34 3/8 x 48 in. (87.2 x 122.0 cm.)

Smithsonian American Art Museum

Washington, D.C.

Fisher, Alvan 
Standing Artist

by John Frederick Kensett

ca. 1845-1847
pencil and watercolor on paper
11 1/4 x 8 5/8 in. (28.7 x 21.9 cm)

Smithsonian American Art Museum

Washington, D.C.

Kensett, John Frederick 
Nantucket School of Philosophy

by Eastman Johnson

1894
wood engraving on paper
5 x 7 in. (12.8 x 17.9 cm)

Smithsonian American Art Museum

Washington, D.C.

Johnson, Eastman 
Head of a Young Woman

by James McNeill Whistler

ca. 1890
oil on canvas mounted on wood panel
18 x 14 7/8 in. (45.8 x 37.8 cm)

Smithsonian American Art Museum

Washington, D.C.

Whistler, James McNeill 
Western Landscape

by John Frederick Kensett

1870
oil on paper mounted on paperboard
10 1/8 x 14 1/8 in. (25.6 x 35.9 cm.)

Smithsonian American Art Museum

Washington, D.C.

Kensett, John Frederick 
Portrait of Mrs. Eastman Johnson

by Eastman Johnson

ca. 1888
oil on canvas
31 3/8 x 22 7/8 in. (79.7 x 58.0 cm.)

Smithsonian American Art Museum

Washington, D.C.

Johnson, Eastman 
Valparaiso Harbor

by James McNeill Whistler

1866
oil on canvas
30 1/8 x 20 1/8 in. (76.6 x 51.1 cm)

Smithsonian American Art Museum

Washington, D.C.

Whistler, James McNeill 
The Girl I Left Behind Me

by Eastman Johnson

1870-1875
oil on canvas
42 x 34 7/8 in. (106.7 x 88.7 cm.)

Smithsonian American Art Museum

Washington, D.C.

Johnson, Eastmannotes
Eastman Johnson imagined a soldier's wife standing on the hill where they parted. The crimson lining of her wind-whipped cape suggests their passionate love for one another, while her wedding ring, appearing almost at the center of the painting, ensures the young bride's devotion. Johnson had witnessed the Battle of Manassas in 1862, and the...
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