| Preview | Description
  | Artist | Notes |
|---|---|---|---|
 | Marshal Ferdinand Foch by Edmund Charles Tarbell 1920 Smithsonian American Art Museum Washington, D.C. | Tarbell, Edmund Charles | |
 | Marshes in New Jersey by Henry Ossawa Tanner 1895 Smithsonian American Art Museum Washington, D.C. | Tanner, Henry Ossawa | |
 | Mary by Henry Ossawa Tanner ca. 1914 Smithsonian American Art Museum Washington, D.C. | Tanner, Henry Ossawa | |
 | Mary Abigail Willing Coale by Thomas Sully 1809 Smithsonian American Art Museum Washington, D.C. | Sully, Thomas | |
 | Mary Elizabeth Francis, the Artist's Daughter by John F. Francis ca. 1840 Smithsonian American Art Museum Washington, D.C. | Francis, John F. | |
 | Mary Walsh McBlair by Thomas Sully watercolor on ivory Smithsonian American Art Museum Washington, D.C. | Sully, Thomas | |
 | Matthias And Thomas Bordley by Charles Willson Peale 1767 Smithsonian American Art Museum Washington, D.C. | Peale, Charles Willson |  l in the background. Bordley had paid to send Peale to study in England, and during this trip the artist painted this miniature to give to the boys’ parents in Maryland. An inscription on the back indicates that Matthias was nine and his brother Thomas twelve years old when this was painted. Although Matthias would live to adulthood, Thomas died in... |
 | Me-Na-Wa. A Creek Warrior, from History of the Indian Tribes of North America by Charles Bird King ca. 1837 Smithsonian American Art Museum Washington, D.C. | King, Charles Bird | |
 | Meditation by William DeLeftwich Dodge 1897 Smithsonian American Art Museum Washington, D.C. | Dodge, William DeLeftwich | |
 | Melons And Morning Glories by Raphaelle Peale 1813 Smithsonian American Art Museum Washington, D.C. | Peale, Raphaelle | Raphaelle Peale's father, Charles Willson Peale, urged his son to paint portraits instead of still lifes, which brought an artist less prestige and fewer commissions. But still lifes suited Raphaelle, who also worked as a taxidermist. He painted this melon as if it were a body opened up for examination, detailing its fluids and flesh so that the... |
- Smithsonian American Art Museum
