| Preview | Description
  | Artist | Notes |
|---|---|---|---|
 | En Crinoline by Alice Pike Barney 1915 Smithsonian American Art Museum Washington, D.C. | Barney, Alice Pike | |
 | En Route to the First Continental Congress by Eugene Higgins 1931 Smithsonian American Art Museum Washington, D.C. | Higgins, Eugene | |
 | End of Winter by John Henry Twachtman after 1889 Smithsonian American Art Museum Washington, D.C. | Twachtman, John Henry |  Twachtman drew inspiration from his seventeen acres of land in Greenwich, Connecticut, and his paintings of the property express the emotional and spiritual comfort he found there. This image describes the beginning of the seasonal transition from winter to spring. Twachtman depicted bare trees and an icy, swollen brook, but allowed the brown primed... |
 | Endymion by Alice Pike Barney 1910 Smithsonian American Art Museum Washington, D.C. | Barney, Alice Pike | |
 | Evalina Cortland Palmer by Alice Pike Barney 1911 Smithsonian American Art Museum Washington, D.C. | Barney, Alice Pike | |
 | Evangeline by Christian Schussele 1861 Smithsonian American Art Museum Washington, D.C. | Schussele, Christian | |
 | Evening Tones by Oscar Bluemner 1911-1917 Smithsonian American Art Museum Washington, D.C. | Bluemner, Oscar | critic reviewing Bluemner's work in 1915 avowed that his art was "utterly alien to the American idea of democracy." |
 | Evening, Navajo Country, Arizona by George Elbert Burr ca. 1929 Smithsonian American Art Museum Washington, D.C. | Burr, George Elbert | |
 | Excelsior Geyser, Yellowstone Park by Thomas Moran 1873 Smithsonian American Art Museum Washington, D.C. | Moran, Thomas | |
 | Fall in the Foothills by William Herbert Dunton ca. 1933-1934 Smithsonian American Art Museum Washington, D.C. | Dunton, William Herbert |
- Smithsonian American Art Museum
