American Art Gallery - National Gallery of Art

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Description	Artist	Notes
Dr. David Rogers by Ralph Earl 1788 oil on canvas overall: 86.6 x 73.5 cm (34 1/8 x 28 15/16 in.) framed: 100.7 x 87.6 x 4.1 cm (39 5/8 x 34 1/2 x 1 5/8 in.) National Gallery of Art Washington, D.C.	Earl, Ralph
Martha Tennent Rogers (Mrs. David Rogers) And Her Son, Probably Samuel Henry Rogers by Ralph Earl 1788 oil on canvas overall: 86.4 x 73.3 cm (34 x 28 7/8 in.) framed: 100.7 x 87.6 x 4.1 cm (39 5/8 x 34 1/2 x 1 5/8 in.) National Gallery of Art Washington, D.C.	Earl, Ralph
Thomas Earle by Ralph Earl 1800 oil on canvas overall: 95.5 x 86.1 cm (37 5/8 x 33 7/8 in.) framed: 117.2 x 108.3 x 4.4 cm (46 1/8 x 42 5/8 x 1 3/4 in.) National Gallery of Art Washington, D.C.	Earl, Ralph
General William Smallwood by Robert Edge Pine 1785/1788 oil on canvas overall: 73.8 x 61.1 cm (29 1/16 x 24 1/16 in.) framed: 93 x 80.7 x 10.2 cm (36 5/8 x 31 3/4 x 4 in.) National Gallery of Art Washington, D.C.	Pine, Robert Edge
Samuel Griffin by William Dunlap c. 1809 oil on canvas overall: 75.6 x 63.3 cm (29 3/4 x 24 15/16 in.) framed: 83.5 x 71.1 x 5.3 cm (32 7/8 x 28 x 2 1/16 in.) National Gallery of Art Washington, D.C.	Dunlap, William
Captain Alexander Graydon by Robert Feke c. 1746 oil on canvas overall: 101.2 x 81 cm (39 13/16 x 31 7/8 in.) framed: 113 x 92.1 x 5.1 cm (44 1/2 x 36 1/4 x 2 in.) National Gallery of Art Washington, D.C.	Feke, Robert
Lewisohn Stadium, New York by George Overbury Hart c. 1928 Pen and black ink with charcoal and gray wash on brown paper 29 x 35.6 cm (11 7/16 x 14 in.) National Gallery of Art Washington, D.C.	Hart, George Overbury
Olivia by Lydia Field Emmet 1911 Oil on canvas overall: 162.6 x 102.9 cm (64 x 40 1/2 in.) framed: 179.7 x 119.1 cm (70 3/4 x 46 7/8 in.) National Gallery of Art Washington, D.C.	Emmet, Lydia Field	Provenance: Rev. [1874-1958] and Mrs. [d. 1962] Anson Phelps Stokes Jr., Lenox, Massachusetts; by inheritance to their daughter, Olivia Stokes Hatch [d. 1983, Mrs. John Davis Hatch], Lenox, Massachusetts; gift 1983 to NGA.
Street in Venice by John Singer Sargent 1882 Oil on wood 45.1 x 53.9 cm (17 3/4 x 21 1/4 in.) National Gallery of Art Washington, D.C.	Sargent, John Singer	Street in Venice Closeup September 7, 1999 Natasha, My daughter has the Sargent print: Street in Venice. . . We both are generally people who see the glass half full rather than half empty and I viewed the young girl as a nice young girl returning home after a late night party and dance. Although my daughter thought she is...
Sortie de l’eglise, de l’eglise, Campo San Canciano, Venice by John Singer Sargent 1882 Oil on Canvas 59.9 x 85.1 cm (22 x 33 1/2 in.) National Gallery of Art Washington, D.C.	Sargent, John Singer	From: The National Gallery of Art . . . "Ignoring the traditional tourist spots, [Sargent] explored the city’s vernacular architecture and the daily life of its inhabitants. In Sortie de l’église, Campo San Canciano, Venice (Leaving the Church), he focuses on the black-shawled women crossing the square in the early morning light, which is...

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