| Preview | Description
  | Artist | Notes |
|---|---|---|---|
 | The Flags, Saint Mark's, Venice - Fete Day by Eugene Lawrence Vail c. 1903 National Gallery of Art Washington, D.C. | Vail, Eugene Lawrence | |
 | The Grave of William Penn by Edward Hicks c. 1847/1848 National Gallery of Art Washington, D.C. | Hicks, Edward | |
 | The Harbor of Seville by Samuel Colman 1867 National Gallery of Art Washington, D.C. | Colman, Samuel | |
 | The Herbert Children by Lambert Sachs 1857 National Gallery of Art Washington, D.C. | Sachs, Lambert | |
 | The Landing of Columbus by Edward Hicks c. 1837 National Gallery of Art Washington, D.C. | Hicks, Edward | |
 | The Leland Sisters by Thomas Sully c. 1830 National Gallery of Art Washington, D.C. | Sully, Thomas | |
 | The Library in Venice by John Singer Sargent Undated National Gallery of Art Washington, D.C. | Sargent, John Singer | 
The Piazzetta, Venice and the Libreria
c.1904
Notes:
Bibliography
Lovell,
Margaretta M., VENICE: THE AMERICAN VIEW 1860-1920, Fine Arts Museums of SF:
1984, no.62.
Venice:
From a State to a Myth. Exh. cat. San Giorgio Maggiore, Venice,1997: 386-387,
no. 102.
Little,
Carl. The Watercolors of John Singer Sargent.... |
 | The Old Kettle by John Frederick Peto c. 1890s National Gallery of Art Washington, D.C. | Peto, John Frederick | |
 | The Old Violin by William Michael Harnett 1886 National Gallery of Art Washington, D.C. | Harnett, William Michael | ated by showing signs of wear and age throughout the painting. Even the songs, one from Bellini's La Sonnambula, and the other the popular song "Helas, Quelle Douleur," are concerned with temporal change. But it is the violin itself, now mute, but worn with use and still dusted with rosin, that speaks most evocatively of past pleasures. |
 | The Prodigal Son In Misery by Mary Ann Willson c. 1815 National Gallery of Art Washington, D.C. | Willson, Mary Ann |
- National Gallery of Art
