| Preview | Description | Artist
  | Notes |
|---|---|---|---|
 | Law Of The Wild by Charles S. Raleigh 1881 National Gallery of Art Washington, D.C. | Raleigh, Charles S. | |
 | Basket Of Fruit With Parrot by A.M. Randall 1777 National Gallery of Art Washington, D.C. | Randall, A.M. | |
 | Portrait Of An Old Lady by J.C. Robinson 1848 National Gallery of Art Washington, D.C. | Robinson, J.C. | |
 | Portrait Of An Old Man by J.C. Robinson 1848 National Gallery of Art Washington, D.C. | Robinson, J.C. | |
 | Mount Vernon by George Ropes Jr. 1806 National Gallery of Art Washington, D.C. | Ropes Jr., George | |
 | Dr. John Safford And Family by Reuben Rowley c. 1830 National Gallery of Art Washington, D.C. | Rowley, Reuben | |
 | Mending the Harness by Albert Pinkham Ryder mid to late 1870s National Gallery of Art Washington, D.C. | Ryder, Albert Pinkham | |
 | The Herbert Children by Lambert Sachs 1857 National Gallery of Art Washington, D.C. | Sachs, Lambert | |
 | Street in Venice by John Singer Sargent 1882 National Gallery of Art Washington, D.C. | Sargent, John Singer | 
Street in Venice
Closeup
September
7, 1999
Natasha,
My daughter
has the Sargent print: Street in Venice. . . We both are generally people who
see the glass half full rather than
half empty and I viewed the young girl as a nice young girl returning home
after a late night party and dance. Although my daughter thought she is... |
 | Sortie de l’eglise, de l’eglise, Campo San Canciano, Venice by John Singer Sargent 1882 National Gallery of Art Washington, D.C. | Sargent, John Singer |
From: The National Gallery of Art
. . . "Ignoring the traditional
tourist spots, [Sargent] explored the city’s
vernacular architecture and the daily life of its inhabitants. In Sortie de l’église, Campo San Canciano,
Venice (Leaving the Church), he focuses on the black-shawled
women crossing the square in the early morning light, which is... |
- National Gallery of Art
