| Preview | Description
  | Artist | Notes |
|---|---|---|---|
 | Lake George by John Bunyan Bristol graphite and white gouache on cream woven paper National Gallery of Art Washington, D.C. | Bristol, John Bunyan | |
 | Law Of The Wild by Charles S. Raleigh 1881 National Gallery of Art Washington, D.C. | Raleigh, Charles S. | |
 | Leslie Pease Barnum by Frank Duveneck 1876 National Gallery of Art Washington, D.C. | Duveneck, Frank | |
 | Leverett Pond by Erastus Salisbury Field c. 1860/1880 National Gallery of Art Washington, D.C. | Field, Erastus Salisbury | |
 | Lewisohn Stadium, New York by George Overbury Hart c. 1928 National Gallery of Art Washington, D.C. | Hart, George Overbury | |
 | Little Miss Fairfield by William Matthew Prior 1850 National Gallery of Art Washington, D.C. | Prior, William Matthew | |
 | Lolotte And Werther by Eunice Pinney 1810 National Gallery of Art Washington, D.C. | Pinney, Eunice | |
 | Lord Ribblesdale by John Singer Sargent 1902 National Gallery of Art Washington, D.C. | Sargent, John Singer | 
Lord Ribblesdale was Thomas Lister (1854-1925), 4th Baron Ribblesdale. He
was Master of the Buckhounds from 1892 to 1895, Liberal Whip of the House of
Lords, Lord-in-Waiting, and a Trustee of the National Gallery, London, from
1909 until his death.
Sargent
first met him at an Artists’ Benevolent Fund dinner then stayed with him
at his house... |
 | Lumber Schooners at Evening on Penobscot Bay by Fitz Hugh Lane 1863 National Gallery of Art Washington, D.C. | Lane, Fitz Hugh | Despite its meticulous draftsmanship and precise detail, Lane's work is far more than a simple inventory of harbor activity. The diminutive figures and carefully rendered vessels remain secondary to the vast expanse of sky, where shimmering light creates a tranquil, idyllic mood. Lane's rarefied landscapes epitomize man's harmonious union with the... |
 | Lydia Coit Terry (Mrs. Eliphalet Terry) by Samuel F.B. Morse c. 1824 National Gallery of Art Washington, D.C. | Morse, Samuel F.B. |
- National Gallery of Art
