| Preview | Description | Artist
  | Notes |
|---|---|---|---|
 | Imitation by John Haberle 1887 National Gallery of Art Washington, D.C. | Haberle, John | |
 | My Gems by William Michael Harnett 1888 National Gallery of Art Washington, D.C. | Harnett, William Michael | |
 | The Old Violin by William Michael Harnett 1886 National Gallery of Art Washington, D.C. | Harnett, William Michael |  ated by showing signs of wear and age throughout the painting. Even the songs, one from Bellini's La Sonnambula, and the other the popular song "Helas, Quelle Douleur," are concerned with temporal change. But it is the violin itself, now mute, but worn with use and still dusted with rosin, that speaks most evocatively of past pleasures. |
 | A Sprig of Plums by William Michael Harnett 1873 National Gallery of Art Washington, D.C. | Harnett, William Michael | |
 | Lewisohn Stadium, New York by George Overbury Hart c. 1928 National Gallery of Art Washington, D.C. | Hart, George Overbury | |
 | Figures in a Landscape by William Hart 1860 National Gallery of Art Washington, D.C. | Hart, William | |
 | Shipwreck in Storm by William Hart pen and black ink with gray wash National Gallery of Art Washington, D.C. | Hart, William | |
 | Maine Woods by Marsden Hartley 1908 National Gallery of Art Washington, D.C. | Hartley, Marsden | |
 | Natural Arch at Capri by William Stanley Haseltine 1871 National Gallery of Art Washington, D.C. | Haseltine, William Stanley | |
 | Santa Maria a Cetrella, Anacapri by William Stanley Haseltine c. 1892 National Gallery of Art Washington, D.C. | Haseltine, William Stanley |
- National Gallery of Art
